A Quote by Robert Harris

If long hitting is the thing that causes the spectators to whistle through their teeth in wonderment, why not play tournaments up and down an expansive stadium? — © Robert Harris
If long hitting is the thing that causes the spectators to whistle through their teeth in wonderment, why not play tournaments up and down an expansive stadium?
The bad thing about the [tennis] calendar is how it is made and obligates you to play tournaments all year. If you want to achieve the most you can (and) go as high up (in the rankings) as you can, you have to play from the start to the finish because there are important tournaments from the beginning to the end.
Whistle through your teeth and spit cuz, it's Alright
Bill Romanowski was one of the most feared players to play, not only because of his intensity, but because he played through the whistle and after the whistle.
But I have been hitting for a week now and trying to get back into some sort of routine because I need to play well at tournaments.
We're looking at ideas to remodel Arrowhead Stadium. It's 30 years old and it's not a good American soccer stadium. We're looking at ways to improve Arrowhead-which is oriented for NFL games--for our spectators.
Women have had the vote for over forty years and their organizations lobby in Washington for all sorts of causes; why, why, why don't they take up their own causes and obvious needs?
I grew up five minutes from the stadium and watched it being built. I'd play football right outside and look up at this huge stadium with all the cranes and building work and think, 'One day, when it's finished, I need to be playing in here.'
I'd really like to be able to whistle with two fingers. Is this a biological thing? Is it to do with the teeth? Who teaches people to do this? How do I learn?
As long as I have teeth, I'll keep playing. You can't play trumpet without teeth.
We've made three World T20 finals and won one - that's not by power-hitting. We've beaten the power-hitting sides quite easily and convincingly in all of those tournaments.
The thing we adore about these dog-whistle kerfuffles is that the people who react to the whistle always assume it's intended for somebody else. The whole point of the metaphor is that if you can hear the whistle, you're the dog.
I don't play a lot of tournaments, but if I don't win a tournament in a year, people are like, 'What in the world is going on?' People don't realize how hard it is to win tournaments. You're not going to go out and play 10 tournaments and win one of them. Your odds aren't that good.
They said if I could deal with the pain, I should play. So, I did, and for some reason, I started hitting. It was a weird thing. I don't know if it was because I couldn't do too much, and I was just trying to stay up through the middle and not hurt myself.
I don't whistle at you down the street. I would if I could, but I can't whistle you see.
I have always been interested in crafting films that use long, static urban landscape shots as a way of manipulating the emotions of the viewer and forcing them to slow down, which I think simultaneously makes them more vulnerable as spectators, and also puts them in a position of being more than just spectators.
It won't be long before we'll be deafened by the screeches of whistles being blown by whistle-blowers blowing the whistle on themselves.
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