A Quote by Robert Hass
Poetry had in the hands of various people become a place for inconvenient knowledge insofar as it was a place for knowledge at all. But it was a place where you could talk about other kinds of experience than the official version.
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When time and space and change converge, we find place. We arrive in Place when we resolve things. Place is peace of mind and understanding. Place is knowledge of self. Place is resolution.
Without a complex knowledge of one's place and without the faithfulness to one's place on which such knowledge depends, it is inevitable that the place will be used carelessly, and eventually destroyed. Without such knowledge and faithfulness, moreover, the culture of a country will be superficial and decorative, functional only insofar as it may be a symbol of prestige, the affectation of an elite or "in" group.
The Internet is a limitless library at your fingertips. It's a great place to start with the acquisition of knowledge. My process is to go to a place when I'm writing about it. Nothing captures the essence, feeling and flavor of a place better than when I'm actually there and doing the writing.
I had no one to help me, but the T. S. Eliot helped me. So when people say that poetry is a luxury, or an option, or for the educated middle classes, or that it shouldn’t be read at school because it is irrelevant, or any of the strange stupid things that are said about poetry and its place in our lives, I suspect that the people doing the saying have had things pretty easy. A tough life needs a tough language – and that is what poetry is. That is what literature offers – a language powerful enough to say how it is. It isn’t a hiding place. It is a finding place.
A community is the mental and spiritual condition of knowing that the place is shared, and that the people who share the place define and limit the possibilities of each other's lives. It is the knowledge that people have of each other, their concern for each other, their trust in each other, the freedom with which they come and go among themselves.
In a mad moment, my family and I purchased a home in Maine because it's the place in the world that my wife loves better than any other place or any other human, and so I have committed my life and what had once been my economic security that has now returned to insecurity, to a patch of painful, rocky land on the shores of horrible, cold waters to a place where people go in the summer to experience autumn because leaves start falling on August 1.
The Great Society is a place where every child can find knowledge to enrich his mind and to enlarge his talents. It is a place where the city of man serves not only the needs of the body and the demands of commerce but the desire for beauty and the hunger for community. It is a place where men are more concerned with the quality of their goals than the quantity of their goods.
I wondered how I looked to her, in that place, and knew that even in a place that was nothing but knowledge that was the one thing I could not know. That if I look inward I would see only infinite mirrors staring into myself for eternity.
One need not be eminent in any part of profound knowledge in order to understand it and to apply it. The various segments of the system of profound knowledge cannot be separated. They interact with each other. For example knowledge about psychology is incomplete without knowledge of variation.
You said you knew the perfect place to run to. A place that was empty of people, and buildings, and far, far away. A place covered in blood-red earth and sleeping life. A place longing to come alive again. It's a place for disappearing, you'd said, a place for getting lost... and for getting found. I'll take you there, you'd said. And I could say that I agreed.
The magical approach is indeed the natural approach to life's experience. It is the adult version of childhood knowledge, the human version of the animals' knowledge, the conscious version of 'unconscious' comprehension.
The difference between a path and a road is not only the obvious one. A path is little more than a habit that comes with knowledge of a place. It is a sort of ritual of familiarity. As a form, it is a form of contact with a known landscape. It is not destructive. It is the perfect adaptation, through experience and familiarity, of movement to place; it obeys the natural contours; such obstacles as it meets it goes around.
Six feet under the stars is a place that doesn't exist. It's a place in your mind where everything and anything is possible. It's a place with no rules or limitations. It's a place where only two people can be at a time where no one can judge them and no one could try to break them apart.
I’ve had that kind of experience myself: I’m looking at a map and I see someplace that makes me think, ‘I absolutely have to go to this place, no matter what’. And most of the time, for some reason, the place is far away and hard to get to. I feel this overwhelming desire to know what kind of scenery the place has, or what people are doing there. It’s like measles - you can’t show other people exactly where the passion comes from. It’s curiosity in the purest sense. An inexplicable inspiration.
When you think back today to a time more than 70 years ago when Germany was a terrible place, a place people were afraid of, it is a wonderful development that we have gone from being a terrible place to a place that people dream of.
I'm very interested in buildings that have meaning for a particular place. I suppose it feels slightly rude to me if the imposed style that lands in a place is almost stronger than the place. For me it's about inventing a solution for each place; if people then want to know who did it, then great.
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