As poet laureate, I was asked to be a spokesman for literature. Then what I decided is I am a spokesman for this other imagination of community - not the one showing up in the market. Nobody was tending to the way we're imaginatively connected to each other.
As poet laureate, I was asked to be a spokesman for literature.
My job is to be a spokesman - the spokesman, I suppose - for the President, for the White House, to do the daily briefings, to manage the press corps in terms of travel, day-to-day needs, access, interviews, all those issues.
Even if the two parents have decided they can't stand the sight of each other anymore, they can still back each other up, cover for each other, and fill in the blanks for each other when it comes to their cocreated children, so that neither of them has to feel as if they're having to do it all.
I'm less interested in how we label ourselves. I'm more interested in how we treat each other. And if we're treating each other right, then I can be African-American, I can be multi-racial, I can be you name it, what matters is, am I showing people respect, am I caring for one, for other people.
The office of Speaker is almost as ancient as Parliament itself. It emerged in the Middle Ages when the Commons - the ordinary people - of England needed a spokesman in their dealings with the King, someone who would voice their grievances and present their petitions. This was by no means a safe or easy thing to do at that time, and potential spokesman generally had to be pressured into accepting the responsibility.
A writer is in the broadest sense a spokesman of his community. Through him that community comes to know its heart. Without such knowledge, how long can it survive?
At the heart of my politics has always been the value of community, the belief that we are not merely individuals struggling in isolation from each other, but members of a community who depend on each other, who benefit from each other's help, who owe obligations to each other. From that everything stems: solidarity, social justice, equality, freedom.
Nobody believes the official spokesman... but everybody trusts an unidentified source.
We need each other to do things that we can't do for ourselves. If we are intimately connected with each other, we just give things to each other; if we don't know each other we find another way to handle it. If you think about it, each according to his or her abilities and each according to his or her needs is sort of the same thing as supply and demand.
I can't think of any poet-recluses outside of one dead Jeffers. [Robinson Jeffers] The rest of them want to slobber over each other and hug each other. It appears to me that I am the last of the poet-recluses.
I am struck by the way people behave on the Tube. They look at each other beadily and inquisitively, and something goes on in their thoughts which must be equivalent to the way dogs and other animals, when they meet, sniff each other's arses and nuzzle each other's fur.
I have decided to be a poet. My father said there isn't a suitable career structure for poets and no pensions and other boring things, but I am quite decided.
Keep reminding yourself of the way things are connected, of great relatedness. All things are implicated in one another and in sympathy with each other. This event is the consequence of some other one. Things push and pull on each other, and breathe together, and are ONE.
I can't be a spokesman for anything other than my own concerns. I have to be free to wrestle with my own preoccupations, and if I'm bringing any political awareness to that process, that mitigates my freedom.
Science is showing us that we are even more connected to each other than we ever realized.
There never is any such thing as one truth to be found in dramatic art. There are many. These truths challenge each other, recoil from each other, reflect each other, ignore each other, tease each other, are blind to each other. Sometimes you feel you have the truth of a moment in your hand, then it slips through your fingers and is lost.