A Quote by Robert Hass
What we usually find is that when people think they have a new idea or approach something for the first time, it is actually a recurrence of a line of thinking explored in the past.
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I don't believe that the economy has changed people's thinking politically in Alberta. However, obviously we elected a brand new government for the first time, some people say, in 44 years. It's actually the first time in over 70 years, because the previous government, prior to the PCs, was really just PCs with a different name. And I think what that did, it doesn't suddenly mean that Tom Mulcair is going to win a whack of seats here in Alberta, but I think it did open Albertans' eyes to the fact that, you know, something different is possible and we can do something different.
It really made me nervous to write about it [Holocaust] and to approach it, because I was nervous about how to do it respectfully, and I was also thinking about how I could add something new to something that had already been so explored.
In the creative industries, there are few things more exciting than a zinger - a thought, idea, line, plot device - anything really, that just totally works in a fundamentally new and fresh way. It's like a uniquely lovely melody or a new taste idea in cooking. Something special, something new, something wonderful. They're also very rare.
I think people are more likely to think it's better to find something new. That mentality has affected all of our thinking.
I think the past is something I have spent a lot of time thinking about, not only what is different about the past but what's the same, and what links us to the past.
I would love to say that the world is changing in the movie industry for people of color, women, the LGBTQ community and other minorities since I began my career, and that we are evolving as a species, but I think that given this social and political climate, I'm at a loss. It's like running a marathon and thinking you're halfway done and you can see the finish line - but the finish line is actually the first checkpoint.
I'm not much for sitting around and thinking about the past or talking about the past. What does that accomplish? If I can give young people something to think about, like the future, that's a better use of my time.
I'm very conscious of the idea of trying to each time present something that I haven't presented before. It's a challenge to me to find something new, to find something innovative, but it's also very exciting.
I like to think of myself as a very passionate person, and as very determined. So, if I set my mind on something, I definitely stop at no end to find within myself the power to keep going, whether that involves thinking of a new approach to a problem, or physically challenging myself.
People think of time as a continuum composed of points which is stretched out at a line, and even if you add a direction to it and say one direction on the line is past and the other direction is future, or better, one direction is "earlier than" and the other direction is "later than", you're still thinking of it as like a geometrical line which is stretched out rather than as a dynamic process of becoming.
I have never had time for the idea of searching. Whenever I wanted to express something, I did so without thinking of the past or the future.
I think when you get past your second album, it all becomes something of a routine. So you have to struggle against that, find a way of making what you do sound fresh and new each time.
Sometimes an actor doesn't sell an idea 100 percent. It just sounds like something that's coming out of their head. You can hear the gears whirring and they're trying to think of what the smart approach is to getting a line across.
And we should forget, day by day, what we have done; this is true non-attachment. And we should do something new. To do something new, of course we must know our past, and this is alright. But we should not keep holding onto anything we have done; we should only reflect on it. And we must have some idea of what we should do in the future. But the future is the future, the past is the past; now we should work on something new.
I was trying to develop a completely new, nonvoyeuristic approach to the female body as something other than a visual object. I wanted to find out what happened when you leave behind the voyeuristic mode and confront people with reality. But that's what was so interesting for me to discover: People don't want to see reality. It's a pretty simple idea, really, this question of how we deal with reality. When something is constructed, when it's projected onto a screen, it's acceptable, but it's different when it's there in front of you in a public space.
Every new party, every new bunch of people, and I start thinking that maybe this is my chance.That I'm going to be normal this time. A new leaf. A fresh start. But then I find myself at the party, thinking, Oh, yeah. This again.
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