A Quote by Robert Heinecken
Some of my enthusiasm for the [found] photograph was based on the fact that there was some residual illusion of reality in it always, no matter what I did to it.
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There have always been arguments showing that free will is an illusion: some based on hard physics, others based on pure logic.
'Three Billboards,' which is not based on a true story but does have some reality flavoring, must appear worthy of elected office in some way. This was, at first, the illusion presented by the people running the campaigns and, in turn, over the years, has become the custom for lots of us.
I knew no matter how good I did, no matter everything that I pushed for, there's always gonna be some type of doubt. Some people want to put limitations on what I can do.
There are some cases that have come to my attention where there's been a head injury, or getting struck by lightning and surviving, with really no disability or residual. So there are cases that I'm aware of where there's been some incident which triggered the acquired savant ability, but is not associated with long term disability, so that can occur. But I think that's probably the exception rather than the rule in that I think many of the acquired savants do end up with some residual disability.
Lawrence Gilliard Jr. is a fine actor and I've always felt some residual guilt that we killed him so early in The Wire. It was always planned that way; we didn't kill him because of anything he did, we don't kill off actors just to do it.
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
No matter what kind of difficult situation one may find oneself in, some opening, some opportunity to fight one's way out, can always be found. What's most important is to hold fast to Hope, to face the future with courage.
Some photographers take reality... and impose the domination of their own thought and spirit. Others come before reality more tenderly and a photograph to them is an instrument of love and revelation.
The Nazis victimized some people for what they did, some for what they refused to do, some for what they were, and some for the fact that they were.
I think there will be some people who think I did a great job, some people who will think, 'Hey, for a guy who did this for his first time, he didn't do too bad,' and some people will be like, 'Rich Franklin sucks.' It doesn't matter what you do, you will always have people on every side of that spectrum, so I would imagine for me it wouldn't be any different.
The life of West, Nietzsche said, is based on Christianity. The values of the West are based on Christianity. Some of these values seem to have taken a life of their own, and this gives us the illusion that we can get rid of Christianity and keep the values. This, Nietzsche says, is an illusion...Remove the Christian foundation, and the values must go too.
After I found that I had become an actor, slightly to my surprise, I did have some insecurity, and I did take some rather strange acting classes at a place called The Actor's Studio in London. I don't think they did me any good at all.
I always had a hard time with Nashville. I reluctantly live there. I've mellowed, and it's improved some, in the fact it has more immigrants. There's some real Mexicans there, some folks from India, some of this and that. I'm not satisfied at all with living there. It's a dilemma for me.
When I first moved to Hollywood from Silicon Valley, I had some misgivings. But I found that there were some advantages to being in Hollywood. And, in fact, some advantages to owning your own media company. And I also found that Hollywood and Silicon Valley have a lot more in common than I would have dreamed.
Apparently when we enter the Earth existence, the third dimensional reality, we exist with a façade as actors playing various roles. For some it is the adventure of the experience, the journey. For others it is entrapment in an illusion that takes on all the qualities of reality.
The part of you that is unhampered by illusion-the illusion of time, the illusion of powerlessness, the illusion of impossibility-i s waiting for you to slow down and open up so that it can speak to your consciousness. In some unguarded moment, you will hear its wildly improbable words and know that they are guiding you home.
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