A Quote by Robert Henri
Art is, after all, only a trace – like a footprint which shows that one has walked bravely and in great happiness.
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A photograph is not only an image (as a painting is an image), an interpretation of the real; it is also a trace, something directly stenciled off the real, like a footprint or a death mask.
The object, which is back of every true work of art, is the attainment of a state of being, a state of high functioning, a more than ordinary moment of existence. In such moments activity is inevitable, and whether this activity is with brush, pen, chisel, or tongue, its result is but a by-product of the state, a trace, the footprint of the state.
The paths by which people journey toward happiness lie in part through the world about them and in part through the experience of their souls. On the one hand, there is the happiness which comes from wealth, honor, the enjoyment of life, from health, culture, science, or art; and, on the other hand, there is the happiness which is to be found in a good conscience, in virtue, work, philanthropy, religion, devotion to great ideas and great deeds.
There was once in man a true happiness of which there now remain to him only the mark and empty trace, which he in vain tries to fill from all his surroundings, seeking from things absent the help he does not obtain in things present.
Thus Gotama [Buddha] walked toward the town to gather alms, and the two samanas recognized him solely by the perfection of his repose, by the calmness of his figure, in which there was no trace of seeking, desiring, imitating, or striving, only light and peace
Art is not cozy and it is not mocked. Art tells the only truth that ultimately matters. It is the light by which human things can be mended. And after art there is, let me assure you all, nothing.
It's worth remembering that all technology leaves a footprint. For example, our own technology is leaving a footprint in terms of global warming, which could be detected from a long way away. One assumes that a very advanced civilization that has been around maybe millions and millions of years would have an even bigger footprint that might extend beyond its planet to its immediate astronomical environment.
Let us face ourselves bravely as we are. For only a philosophy that recognizes reality can lead us into true happiness, and only that kind of philosophy is sound and healthy.
Museums and art stores are also sources of pleasure and inspiration. Doubtless it will seem strange to many that the hand unaided by sight can feel action, sentiment, beauty in the cold marble; and yet it is true that I derive genuine pleasure from touching great works of art. As my finger tips trace line and curve, they discover the thought and emotion which the artist has portrayed.
Cities, in many ways, are the best repositories for a love affair. You are in a forest or a cornfield, you are walking by the seashore, footprint after footprint of trodden sand, and somehow the kiss or the spoken covenant gets lost in the vastness and indifference of nature. In a city there are places to remind us of what has been.
After all, the supreme virtue in all art is soul, perhaps it is the only thing which gives art a right to be.
I think great writers should write great shows, and I have trouble with, like, what you are in life shouldn't automatically make you what you do in your art. It doesn't necessarily translate.
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
I can consider not only great art, but the context in which that art has been created. I can consider the people who paid a price for that art to be created and whether or not I want to appreciate that art on their backs.
Is there in every work of art something which shows reality as one and also something which shows reality as many and diverse? - must every work of art have a simultaneous presence of oneness and manyness, unity and variety?
Doing TV shows helps me a lot in my screenplay writing and filmmaking, especially since my TV shows are in different formats: comedy sketches, talk shows, debate programs, art variety shows, quiz shows. These enable me to meet interesting people with interesting stories and to learn about interesting subjects, all of which I can reflect into film.
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