A Quote by Robert Henri
The artist should have a powerful will. He should be powerfully possessed by one idea
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Though the artist must remain master of his craft, the surface, at times raised to the highest pitch of loveliness, should transmit to the beholder the sensation which possessed the artist.
For what is important when we give children a theorem to use is not that they should memorize it. What matters most is that by growing up with a few very powerful theorems one comes to appreciate how certain ideas can be used as tools to think with over a lifetime. One learns to enjoy and to respect the power of powerful ideas. One learns that the most powerful idea of all is the idea of powerful ideas.
While one should always study the method of a great artist, one should never imitate his manner. The manner of an artist is essentially individual, the method of an artist is absolutely universal. The first personality, which no one should copy.
When bosses, leaders, and powerful men and women ignore or deny the accounts of harassment victims, they reinforce the idea that harassers are playing the game as they should and that the rest of us should fall in line.
An artist should be taking risks. That's the whole idea of being an artist.
The idea is that what an artist lives through should broaden his notion of what it is possible for a human being to live through, and that new understanding should then get into and expand the work.
You are persecuted and despised. It were better that a person should be the oppressed than that he should be the oppressor; and fitter that he should be a victim to the frailty of human instincts than that he should be powerful and crush the flowers of life and disfigure the beauties of feeling with his desire.
I am an artist, and I will always be working. But a film should match my personality and should be primarily based on a woman for me to go forward with it.
I once believed that I possessed creative talent, but I have given up this idea; a woman must not desire to compose — there has never yet been one able to do it. Should I expect to be the one?
There's the idea that people should be able to control how the information that they're giving to websites is used and monetized in a more clear and powerful way. That's something that probably will need government action.
There is no way of influencing men so powerfully as by means of the women. These should therefore be our chief study; we should insinuate ourselves into their good opinion, give them hints of emancipation from the tyranny of public opinion, and of standing up for themselves; it will be an immense relief to their enslaved minds to be freed from any one bond of restraint, and it will fire them the more, and cause them to work for us with zeal, without knowing that they do so; for they will only be indulging their own desire of personal admiration.
There should be a law that no ordinary newspaper should be allowed to write about art. The harm they do by their foolish and random writing it would be impossible to overestimate - not to the artist, but to the public, blinding them to all but harming the artist not at all.
We should not wait for someone else to come and raise our voice. We should do it by ourselves. We should believe in ourselves. One day you will see that all the girls will be powerful; All the girls will be going to school. And it is possible only by our struggle; only when we raise our voice.
Being an activist and an artist - those two things should go together. You should allow the artistic sensibility to control some of your activism, but never should it be allowed to paralyze you.
There are two things that have to happen before an idea catches on. One is that the idea should be good. The other is that it should fit in with the temper of the age. If it does not, even a good idea may well be passed by.
I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that can talk. And it's pure play. I think every artist needs to stay in touch with the idea of playing. The artist should always be playing, always. All art is performance.
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