A Quote by Robert Henri
Don't stop to paint the material, but push on to give the spirit.
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Your painting is the marking of your progression into nature, a sensation of something you see way beyond the two pretty colors over there. Don't stop to paint the material, but push on to give the spirit.
If the pace and the push, the noise and the crowds are getting to you, it's time to stop the nonsense and find a place of solace to refresh your spirit
When discouraged some people will give up, give in or give out far too early. They blame their problems on difficult situations, unreasonable people or their own inabilities. When discouraged other people will push back that first impulse to quit, push down their initial fear, push through feelings of helplessness and push ahead. They're less likely to find something to blame and more likely to find a way through.
Art always used to involve spirit. Painters painted spirit. They painted by commission things to go into churches, and that was painting spirit. Or they would paint people of wealth, and they would try to show how they had power, and again, this is sort of spirit.
I like to treat paint as material - to daub it, drop it, let it slide. There was Action Painting, but I also compare it to paint effects found on the streets. This approach is superimposed on a sculptural surface that is also 'painterly.'
You can write a 1st paragraph that continues the same thought you expressed in your headline. If you stop a reader with a headline about house paint, you can be sure of at least one thing about that reader: He wants more info about house paint. You will not lose him as long as you continue to give him what he wants.
My thing is about following the accidental, more than trying to paint an accurate bowl of apples. I enjoy most following the paint. It leads me somewhere else. I think I enjoy just letting the magic unfold and letting the spirit of the paint tell me where we're going.
Consider paint a film of light reflecting/absorbing material, and a colored paint a material which gives a particular, characteristic transmission of light via differential absorption and reflection. Call this reflected quality 'luminance' and measure it in millilamberts. This measure is as real and present as height, breadth, depth; and I find the phenomenon equally sumptuous and convincing. . . . Painted light, not color, not form, not perspective, or line, not image, or words, or equations, is painting. I make paintings which do not represent light, they are light.
Give paint a chance to show itself entirely as paint.
What's beautiful about the actual acting class environment is that you can use it to push through everything: push your voice, push your inhibitions, push your fears, push your confidence, push your vulnerability, push your silences.
At my death paint my body with red paint and plunge it into fresh water to be restored back to life, otherwise my bones will be turned into stone and my joints into flint in my grave, but my spirit will rise
When you stop expecting people to be perfect, you can like them for who they are. And when you stop expecting material possessions to complete you, you'd be surprised at how much pleasure you get in material possessions. And when you stop expecting God to end all your troubles, you'd be surprised how much you like spending time with God.
Seek healing, a refilling of energy and spirit, as soon as you see that you need it. You don't have to push yourself to give, do, or perform when what your body, mind, soul and emotions need is to heal.
Painters paint outdoors, or in rooms full of people; they paint their lovers, alone, naked; they paint and eat; they paint and listen to the radio. It is a soothing way of doing your job.
The aloha spirit is real simple. You give and you give and you give . . . and you give from here (the heart), until you have nothing else to give.
My idea is to paint paintings so that when you walk into a room, I'm pulling you in, or that makes you suddenly stop and wonder: 'What is this? There is something groovy, something else going on here.' Also, I want to give you what is obvious and what is not obvious to the eye.
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