A Quote by Robert Henri
Your style is the way you talk in paint.
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Painters paint outdoors, or in rooms full of people; they paint their lovers, alone, naked; they paint and eat; they paint and listen to the radio. It is a soothing way of doing your job.
You can't just stick with one thing. You have to let your natural style come through, and paint what you naturally like to paint.
I paint in oils, I paint in acrylics. I paint figurative and landscape portraits. It's all in my own kind of style. I'm self-taught.
To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes-countrysides and figures, movements and gestures-how could he have a style, that is originality?
That's what I paint, I paint people. They're portraits, but you won't always be pleased with the way you look in my paintings. Which is fine, I guess. Unless you're buying it, and it's of your kid!
As one of my creative writing professors once said, there are only seven plots. What makes those plots different is how you handle them, your voice, your style, and your way of thinking. That’s all. People can mimic your style, but they can never achieve your unique point of view.
I have cousins in North Carolina who talk in that old Southern style of 'yakking,' if you will. All the black men in my life when I was a boy talked that way, and I love that kind of talk.
People are easily intimidated when they decorate their home. They think it has to be one way. But there's no one way. It's your way, your style. At the end of the day, you have to live there. It's your cocoon, your nest. You have to be happy in it.
Life in itself is an empty canvas; it becomes whatsoever you paint on it. You can paint misery, you can paint bliss. This freedom is your glory.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
You have to find your own style, and it's difficult to define what style is. It's not what you're wearing; it's how you wear it. It's something very personal, and it reflects the way you live and your house, the books you read, the art you have.
To discover that you can paint without special talent is a great revelation. An endless stream runs through you, enough to paint for lifetimes. Talent is universal. You can dip into that source to your heart's content. Everyone is good at what comes to them spontaneously. If nothing is put in your way, talent will meet you there.
And style, by the way, is a very important thing. It is like your signature, your handwriting or it is something that you develop that is your way of presenting yourself and also your way of looking at what art - of how to make art.
Sure, I can talk like you, but I choose not to, It's like an art, you know? Picasso had to prove to the world he could paint the right way, before he goes putting both eyes on the side of a face... See if you paint wrong because that's the best you can do, you just a chump. But you do it because you want to? Then you're an artist...You can take that to the grave and dig it up when you need it.
Magazines don't have enough confidence to have their own style, so they use a borrowed style. That is shocking to me, but your perception is very accurate. It's a way to be more commercially viable, but to me, that's not having a style, that's having a schtick.
With color, for the price of a pot of paint, people can express their own style and individuality. But, as with style, a gift for color has to be developed by experiment. If you don't dare, you are doomed to dullness.
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