A Quote by Robert Henri

If you work from memory, you are most likely to put in your real feeling. — © Robert Henri
If you work from memory, you are most likely to put in your real feeling.
While the repression of a memory is a psychological process, the suppression of feeling is accomplished by deadening a part of the body or reducing its motility so that feeling is diminished. The repression of the memory is dependent upon and related to the suppression of feeling, for as long as the feeling persists, the memory remains vivid. Suppression entails the development of chronic muscular tension in those areas of the body where the feeling would be experienced. In the case of sexual feeling, this tension is found in and about the abdomen and pelvis
The real trick to producing great work isn't to find ways to eliminate the edgy, nervous feeling that you might be swimming out of your depth. Instead, it's to remember that everyone else is feeling it, too. We're all in deep water. Which is fine: it's by far the most exciting place to be.
Pre-preproduction is the tenuous time before a project is greenlit; before the studio commits to spending real money. This is the most vulnerable period for any film because it's the time when your project is most likely to be put into turnaround. That's film-speak for killed off.
Do you get the feeling with Sarah Palin, in high school, she was voted least likely to write a book and most likely to burn one?
Because you've been exposed to Western tonal music, you know after a certain chord sequence what the next possibilities are. Your brain has compiled a statistical map of which ones are most likely and least likely. If the song keeps hitting the most likely notes, you'll get bored, and if it's always the least likely ones, you'll get irritated.
I usually arrive at the first rehearsal with a vague memory of most of it. But the real work happens in rehearsal, oddly enough, because what happens is that you match the words to the movement, and once you know where you're moving, then the words that accompany that movement become not locked into your mind and your brain and your whole body.
The repression of the memory is dependent upon and related to the suppression of feeling, for as long as the feeling persists, the memory remains vivid.
You have to begin to lose your memory, if only in bits and pieces, to realize that memory is what makes our lives. Life without memory is no life at all... Our memory is our coherence, our reason, our feeling, even our action. Without it we are nothing.
Over the years, Cajun music has always calmed me down, or if I'm feeling real sick or feeling real unsettled, I can put that music on and try to get focused again.
Memory is a funny thing. It tricks you into believing that you've forgotten important moments, and then when you're raking your brain for a bit of information that might make sense of something else, it taps you on the head and says, "Remember when you told me to put that memory in the green rubbish bin? Well, I didn't, I put it in the black recycling tub, and it's coming your way again.
Perhaps things are most beautiful when they are not quite real; when you look upon a scene as an outsider, and come to possess it in its entirety and forever; when you live in the present with the lucidity and feeling of memory; when, for want of connection, the world deepens and becomes art.
Man, the feeling of the make is something that I can’t put to words, it’s the very best feeling in the world. I just chase that, it’s a very real feeling and straight up, I am addicted to it.
Your real home isn't your patterned self. It isn't your thinking. It isn't your feeling. Your real home is the deepest within that you know the truth of. Your real home, your only home, is direct knowledge.
I can put a hip-hop beat to reggae. That is, I can have real reggae in the drums and in the rhythm, and on top of it I can put The Rolling Stones' feeling, anyone's feeling on top. Nobody has ever done this before, man.
I like being tested. I get as scared as anyone. But the feeling of putting yourself on the line, betting on your talent and having it work; that's the most exhilarating feeling in the world.
Someone once asked me what I regarded as the three most important requirements for happiness. My answer was: A feeling that you have been honest with yourself and those around you; a feeling that you have done the best you could both in your personal life and in your work; and the ability to love others.
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