A Quote by Robert Henri
Perhaps whatever there is in my work that may be really interesting to others and surely what is interesting to me, is the result of a sometimes successful effort to free myself from any idea that what I produce must be art.
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I think a lot of the most interesting work in art and in films are often kind of polarized opinions and affect people in very different ways, which may be less successful commercially, but they elicit a dialogue that's quite interesting.
It's when people come at you on Twitter and say really crazy things. That's the kind of stuff that I insulate myself from. All of that is not very interesting or helpful, but we have critics who sometimes really love us or sometimes don't, and it's really interesting for me to see what they don't like about it.
Andy Warhol's art wasn't that interesting to me. He was more interesting to me as a person. He was art himself. I don't even think he was really into art, per se. He may have liked to do it, but I think he was more into people being into him.
I don't write because I think I have anything particularly interesting to say. I write because I love writing more than any other work I've done. I do think about entertaining the reader to the extent that I try always to write a book that I myself would want to read, but I don't think it's up for me to decide if what I've written is interesting to others. That is entirely up to others.
If I am transparent enough to myself, then I can become less afraid of those hidden selves that my transparency may reveal to others. If I reveal myself without worrying about how others will respond, then some will care, though others may not. But who can love me, if no one knows me? I must risk it, or live alone. It is enough that I must die alone. I am determined to let down my walls, whatever the risks, if it means that I may have whatever is there for me.
Magicians are typically introverted; they don't tend to work with others, but I work with software programmers, composers, designers, so it's a very diverse group and the result is always more interesting than something I could have done by myself.
Any object not interesting in itself may become interesting through becoming associated with an object in which an interest already exists. The two associated objects grow, as it were, together; the interesting portion sheds its quality over the whole; and thus things not interesting in their own right borrow an interest which becomes as real and as strong as that of any natively interesting thing.
My art practice is very detail-, labor- intensive and I think that that's a way of slowing myself down so that I can hear myself think. That quieter voice has sometimes the more interesting idea, if I can get to it.
It would be difficult, perhaps, to find the annals of a nation less stained with crimes than those of the Armenians, whose virtues have been those of peace, and their vices those of compulsion. But whatever may have been their destiny and it has been bitter whatever it may be in future, their country must ever be one of the most interesting on the globe.
That is what I seek, to essay interesting and challenging characters, which develop me as an actor and at a personal level to work with people who inspire me to push my boundaries and work on interesting scripts which which turn into refined work of art and leave a mark on me and the audience.
Everybody is different and I think that we live in a material world. But for me, possessing things is not that interesting. Living in a grand environment to show myself and others that I have wealth has zero appeal. Whatever I own is temporary, since we're only here for a short period of time. It's what we do and produce, it's our actions, that will last forever. That's real value.
Imagine a puddle waking up one morning and thinking, " This is an interesting world I find myself in, an interesting hole I find myself in; fits me rather neatly, doesn't it? In fact it fits me staggeringly well! It must have been made to have me in it!
Now I'm sixty-one... sixty-two, pretty soon. It's a really interesting age. Now we have women of your age, and coming up, and all these fantastic writers, who have managed to have their children but continue with their art, their work. I think women are doing the most interesting writing right now, the most interesting art. I see everything through this lens, of women finally taking their place in the world. Their true place. And it's very, very exciting to me.
Perhaps if there is anything remotely interesting about my writing style, it is this: more often than not I have no idea what the story is going to be about. Sometimes I have a fuzzy vision, or a glimpse of one scene, or a character. But mostly all I have is a random first sentence, and I follow it to see where it might go. For me, writing is the process of discovery, of gradually figuring out what happens in the story and how it ends, that makes writing an interesting process for me.
Mainly, I try not to think about my readers as I write - I just think of my characters and myself - If they're interesting to me, my hope is that they'll be interesting to others as well.
For actors, being successful is generally getting a job. If you can work a lot, you're really successful. If you work a lot on projects that are interesting and intelligent and great fun to be part of, then you're hugely successful. And I feel hugely successful. I can't believe that I get to be involved with the projects and the people I work with.
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