A Quote by Robert Henri
Good composition is like a suspension bridge - each line adds strength and takes none away.
Related Quotes
Good composition is like a suspension bridge; each line adds strength and takes none away... Making lines run into each other is not composition. There must be motive for the connection. Get the art of controlling the observer – that is composition.
Golden bridge, silver bridge or diamond bridge; it doesn't matter! As long as the bridge takes you across the other side, it is a good bridge!
When an engineer has built a bridge, the fact that a cat can pass over the bridge is no proof that the bridge is good. A train must pass over it to prove its strength.
It is a good habit to thank always the bridge which takes you to the other side or to mention the name of the bridge or to take the photo of it or to repair it if you can! In short, do something good for those who do goodness for you!
A suspension program like TRX provides consistency, is great for strength training, and you can do it anywhere, which is good for us because we're always on the go!
If we're not a good steward of what God gives us, he takes it away. I think that's what happened. I wasn't a good steward of the gift that he gave me in this line of work. I abused it, so he took it away.
I honor my importance and the importance of others. None of us is dispensable, none of us is replacable. In the chorus of life each of us brings a True Note, a perfect pitch that adds to the harmony of the whole. I act creatively and consciously to actively endorse and encourage the expansion of those whose lives I touch. Believing in the goodness of each, I add to the goodness of all. We bless each other even in passing.
My palate is simpler than it used to be. A young chef adds and adds and adds to the plate. As you get older, you start to take away.
I think, as a coach, you have to be willing to do what's best for the player. And you say what's best for the player: is it better to give him a game suspension, three-game suspension, no suspension. I think each case may be different in that.
How does an artist know when the line that he just painted is good or not good? That's the catch. De Kooning was the greatest of my contemporaries in art, and he knew when he'd done a good line. When he didn't, he threw it away. I wish I'd thrown away some of mine.
I may juggle the composition, as the strength of a picture is in the composition. Or I may play with the light. But I never interfere with the subject. The subject has to fall into place on its own and, if I don't like it, I don't have to print it
Everything you do either adds to the beauty of the world or takes away from it.
Patience is like good motor oil. It doesn't remove all the contaminants. It just puts them into suspension so they don't get into your works and seize them up. Patient people have, so to speak, a large crankcase. They can put a lot of irritants into suspension.
Mostly, when you are shooting for action or intimate scenes, and you need to hold them, it takes away the mood if you both are not in sync. I have faced such situations and I think having a good bond with your co-stars only adds value to the scene.
The death penalty not only takes away the life of the person strapped to the table - it takes away a little bit of the humanity in each of us.
At every moment, each instrument knew what to play. Its little bit. But none could see the whole thing like this, all at once, only its own part. Just like life. Each person was like a line of music, but nobody knew what the symphony sounded like. Only the conductor had the whole score.
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