A Quote by Robert Herrick
A sweet disorder in the dress
Kindles in clothes a wantonness
A lawn about the shoulders thrown
Into a fine distraction.
Related Quotes
A SWEET disorder in the dress
Kindles in clothes a wantonness :
A lawn about the shoulders thrown
Into a fine distraction :
An erring lace which here and there
Enthrals the crimson stomacher :
A cuff neglectful, and thereby
Ribbons to flow confusedly :
A winning wave (deserving note)
In the tempestuous petticoat :
A careless shoe-string, in whose tie
I see a wild civility :
Do more bewitch me than when art
Is too precise in every part.
Do not conceive that fine Clothes make fine Men, any more than fine feathers make fine Birds. A plain genteel dress is more admired and obtains more credit than lace and embroidery in the Eyes of the judicious and sensible.
I'm tall with broad shoulders, and therefore, I like clothes with a bit of a swagger - mannish clothes that you can wear with a lot of feminine, sweet tops. I put my own looks together - a favourite coat, a bit of vintage, a bit of high street.
Nostalgia is a sweet place for a poet and writer to be in. But it's an indulgence; a distraction. You can't live in a distraction.
I love clothes - I love shopping for clothes, I love wearing clothes, I love talking about clothes - but oddly, putting on the dress and walking around in front of people, that's the place where I'm most uncomfortable.
It might be one thing to think about putting on a dress, but when you're actually putting on a dress, it's a weird thing, because you're going, "Huh. I'm putting on a dress. Do I leave my underwear on? Do I get some other underwear? Is there something special I should wear?" All that dumb stuff. I'd never had any interest in putting on my mom's clothes, except to think, "Well, they are nice clothes..."
A dandy is a clothes-wearing man--a man whose trade, office, and existence consist in the wearing of clothes. Every faculty of his soul, spirit, person and purse is heroically consecrated to this one object--the wearing of clothes, wisely and well; so that, as others dress to live, he lives to dress.
Clothes as text, clothes as narration, clothes as a story. Clothes as the story of our lives. And if you were to gather all the clothes you have ever owned in all your life, each baby shoe and winter coat and wedding dress, you would have your autobiography.
When I feel down I put on my most bonkers vintage dress and it always cheers me up. The way we dress is an expression of who we are, and I use clothes to let people know that I don't care about fitting in.
What a fine-looking thing is war!
Yet, dress it as we may, dress and feather it, daub it with gold, huzza it, and sing swaggering songs about it,--what is it, nine times out of ten, but murder in uniform!
I personally find the ideas that girls need to cover their shoulders in school a little bit strange... when we're telling girls, you know, 'You have to cover your shoulders because otherwise you're a distraction to other people in your class,' probably something is wrong.
Dress has never been at all a straightforward business: so much subterranean interest and complex feeling attaches to it. As a topic ... it has a flowery head but deep roots in the passion. On the subject of dress almost no one, for one or another reason, feels truly indifferent: if their own clothes do not concern them, somebody else's do. ... Ten minutes talk about clothes (except between perfect friends) tends to make everyone present either overbearing, guarded or touchy.
I think the women that we dress, the women who buy our clothes, they have a certain strength. It could be about the clothes, it could be about themselves. It's just attractive.
Do not conceive that fine clothes make fine men any more than fine feathers make fine birds.
It is the eye of other people that ruin us. If I were blind I would want, neither fine clothes, fine houses or fine furniture.
Many strange-looking people obviously dress according to deep convictions that are not shared by on-lookers - they clearly do not know how they actually look, but are satisfied with what their clothes make them feel and believe about their looks. These people may be the true originals, even though they are certainly not the best appreciated. The famous messages of dress, the well-known language of clothes, is very often not doing any communicating at all; a good deal of it is a form of private muttering.
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