A Quote by Robert Hewison
[John] Ruskin believed that everyone had visual as well as verbal capacities that needed to be developed in order to become a complete human being, and that the apprehension of truth depended on the power of observation.
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Power is being able to say complete and utter nonsense and have it be believed, powerlessness is where no matter how much cogent evidence and proof one has, to not be believed.
Two things are terrible in childhood: helplessness (being in other people's power) and apprehension - the apprehension that something is being concealed from us because it is too bad to be told.
The gift of mental power comes from God, Divine Being, and if we concentrate our minds on that truth, we become in tune with this great power. My Mother had taught me to seek all truth in the Bible.
If we look more closely, we see that any violent display of power, whether political or religious, produces an outburst of folly in a large part of mankind; indeed, this seems actually to be a psychological and sociological law: the power of some needs the folly of others. It is not that certain human capacities, intellectual capacities for instance, become stunted of destroyed, but rather that the upsurge of power makes such an overwhelming impression that men are deprived of their independent judgment, and...give up trying to assess the new state of affairs for themselves.
The Light of one human being who discovers the Truth has been lighting human existence for thousands of years. Such is the power of a human being who realizes the Truth of who they are.
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
We needed a "psychenaut" program to be the opposite of the astronaut program in order to explore the enormous domains and dimensions of inner space. We need inner space exploration. We need to have access to more capacities in order to be adequate stewards of this most incredible process of transformation in human history.
Literary men now routinely tell their readers about their divorces. One literary man who reviews books wrote, in reviewing a study of Ruskin, that he had never read a book by Ruskin but that the study confirmed him in his belief that he didn't want to read a book by Ruskin. This man very often writes about his family life.
Last night it had been my father who had finally said it: "She’s never coming home." A clear and easy piece of truth that everyone who had ever known me had accepted. But he needed to say it, and she needed to hear him say it.
John's legacy? His bravery. When he had the power, he used it. He really wanted peace on Earth, and John's lyrics, well, that's the brave poetry of the '60s. If he had stayed with us, he could have done so much more.
The sorcery and charm of imagination, and the power it gives to the individual to transform his world into a new world of order and delight, makes it one of the most treasured of all human capacities.
And when it is suggested that the inward feelings of power or inward monitions or losses of judgement are the germs out of which the divine machinery developed, I return that truth is just the reverse, that the presence of voices which had to be obeyed were the absolute prerequisite to the conscious stage of mind in which it is the self that is responsible and can debate within itself, can order and direct, and that the creation of such a self is the product of culture. In a sense, we have become our own gods.
To become a villain, you had to have become disillusioned, and in order to become disillusioned you had to have been passionate about something you believed in that was shaken and ripped from your grasp as a protagonist in that stage of your life, leaving you disillusioned with God, if you will.
No one culture has ever developed all human potentialities; it has always selected certain capacities, mental and emotional and moral, and stifled others. Each culture is a system of values which may well complement the values in another.
My films are expressive of a culture that has had the possibility of attaining material fulfillment while at the same time finding itself unable to accomplish the simple business of conducting human lives. We have been sold a bill of goods as a substitute for life. What is needed is reassurance in human emotions; a re-evaluation of our emotional capacities.
To become fully human means learning to turn my gratitude for being alive into some concrete common good. It means growing gentler toward human weakness. It means practicing forgiveness of my and everyone else's hourly failures to live up to divine standards. It means learning to forget myself on a regular basis in order to attend to the other selves in my vicinity. It means living so that "I'm only human" does not become an excuse for anything. It means receiving the human condition as blessing and not curse, in all its achingly frail and redemptive reality.
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