A Quote by Robert Hilburn

'Walk on the Wild Side' was a very catchy song. — © Robert Hilburn
'Walk on the Wild Side' was a very catchy song.
When I was a kid, my first favorite song was probably Lou Reed's "Walk on the Wild Side."
When I was a kid, my first favorite song was probably Lou Reed's 'Walk on the Wild Side.'
I think that a good song is catchy, and a great song is not catchy - but it has a deeper meaning.
My friend Lou Reed came to the end of his song. So very sad.But hey, Lou, you'll always take a walk on the wild side. Always a perfect day.
Saying you're a pop group isn't saying very much. Personally, when I think of pop, I think of instant, accessible, catchy songs - I definitely identify our music as that. I think that by writing pop, or instant, accessible or hopefully catchy music, it shoes you into bigger audiences because it seems that more people like that music. I think the possibilities are endless if you stick to a simplistic short song; the music can be as wild and bizarre as you want it to be, as long as at the core of it, there's something really strong.
If I had a walk-up song in 2019, it would be 'Baby Shark.' It's haunting. It's mesmerizing. It's catchy.
You know what, I am not gonna lie, that Taylor Swift 'Trouble' song? I can't resist that song. Her melodies are very catchy.
I think that what I'm attracted to is people who are wild. But the self-destructive side comes out of the wild side. The wildness is very different from me. That's why I think I like it.
I like to always do my best to make music catchy, so I think a very catchy melody is cool.
Take a walk on the wild side.
'Broad City' [series] has a wild side, but it also has a very heartfelt side. It's very human.
Some of us like to take a walk on the wild side.
Classical music can be catchy, so can African instrumental guitar music. It's not just pop songs that are catchy. Rhythms can be catchy, too.
I think people sometimes confuse 'catchy' with something that should automatically be a hit in today's world. I mean, obviously we write a lot of stuff that's catchy, that sticks in your head. But that doesn't necessarily mean that middle-school kids are going to want to listen to a song about a lawyer or a Subaru or whatever.
With the first step, the number of shapes the walk might take is infinite, but then the walk begins to define itself as it goes along, though freedom remains total with each step: any tempting side road can be turned into an impulse, or any wild patch of woods can be explored. The pattern of the walk is to come true, is to be recognized, discovered.
I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
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