A Quote by Robert Hilburn

I'm guilty of being perceived as having narrow taste. I went after the artists that I thought were important - Dylan, Joni Mitchell, Bruce Springsteen and stuff. — © Robert Hilburn
I'm guilty of being perceived as having narrow taste. I went after the artists that I thought were important - Dylan, Joni Mitchell, Bruce Springsteen and stuff.
It's like there's the rest of the world, and then there's America. Part of the reason I would really love continue to making music over here because so much of American music has inspired me, whether it's Jeff Buckley, Joni Mitchell, Bob Dylan, Bruce Springsteen.
My parents are music fans, even though neither of them play an instrument. I was exposed to their record collection, so I love everything from Joni Mitchell to Bruce Springsteen.
I've always associated consciousness with artists like Bob Marley or Joni Mitchell or Bob Dylan. You know, artists that really talked about what was going on in the world and really artists that are timeless.
Bob Dylan and John Lennon and Bruce Springsteen, these are soul guys. Bruce Springsteen might not sing like Otis Redding, but he sings with white soul. He's singing and he's writing songs from the bottom of his gut.
At the 'L.A. Times,' I always wanted to write about artists I thought were meaningful. So I interviewed Bob Dylan, John Lennon, Bruce Springsteen, U2, Stevie Wonder, Michael Jackson, Eminem, White Stripes. And I could understand how almost everybody I interviewed had a sense of artistry.
[I have] my own view about [Bob] Dylan's Nobel prize. Which is, I'm firmly in the Nay camp. I do think the award is a category error, but that's not why. Not in itself. What bothers me is the perceived status of the categories. If pop lyricists were routinely considered for the prize as are authors and poets, I'd still think it mistaken, but I wouldn't much care. But I am quite certain that Joni Mitchell and Leonard Cohen, for example, both at the very least Dylan's equals as writers, have never been in the running and never will be.
Why would I want to sound like Joni Mitchell? I've got Joni Mitchell records, and they're great, and I couldn't possibly be that good.
I grew up listening to Joni Mitchell's version of "A Case of You." My mom was a huge Joni Mitchell fan.
When I discovered Bob Dylan and Leonard Cohen, I could explore the records that inspired me on a different level and that led me to Joni Mitchell, who is maybe my favorite of all time, and Warren Zevon. Those artists that wrote the lyrics that you try for.
We soaked up everything from Beethoven to Chopin to Jimi Hendrix to Joni Mitchell and Bob Dylan.
I came along with that crowd of singer-songwriters who were able to make their own statements in such a personal way that it changed the industry: Laura Nyro, Joni Mitchell, Bob Dylan, Sly and the Family Stone.
For someone like me, who has grown up with Joni Mitchell and Bob Dylan and Leonard Cohen, it's hard not to invest a lot of myself in what I do.
I've always played acoustically - it's how I learned. I grew up listening to Leonard Cohen, Joni Mitchell, Neil Young, Dylan and what have you.
It's always Bob Dylan, Bruce Springsteen, and Tom Waits for me - the big three.
I've had mentors who were kind of the troubadour singer-songwriters, like Merle Haggard, Loretta Lynn, Joni Mitchell, Bob Dylan and Neil Young, and that's just what I've always liked - people who would talk real honestly about their lives and their circumstance.
I was pretty strict in high school about who I would listen to. Musicians like Neil Young, Cat Stevens, Bob Dylan, Joni Mitchell... who were, in my opinion, great writers. The music mattered, but it held hands with the lyrics, and the personality was, overall, unsullied.
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