A Quote by Robert Horry

You know, pass now to pinch post, cut, shoot the shot. Do things to facilitate the offense. That's what I did in Alabama. — © Robert Horry
You know, pass now to pinch post, cut, shoot the shot. Do things to facilitate the offense. That's what I did in Alabama.
I guess the way I shoot things is slightly influenced by the way videogames are cut and shot.
Sometimes the pass is perfect, but you can't shoot the puck. Sometimes it's a bad pass and you do a good shot.
Think about the deflections. The offense can't score every play. They're just trying to get a good shot. If I can deflect a pass, even if it doesn't cause a turnover, it will throw their timing off half-a-second. That half-a-second might mess up their shot.
Get me a gun. If I don't go into labor soon, I'm going to shoot myself. And pass the gravy. Pass it now." Valerie - To the Nines
Who says a center can't make the pass into the post? Michael Jordan, effectively, was a post player and you saw with the championship teams players able to do multiple things.
I play basketball; I actually like the triangle. It opens things up if you know how to move without the ball and know how to cut. That's the game you learn in high school and younger - pass, cut - basically the fundamentals of basketball, which makes it extremely difficult to guard.
A great discipline comes with knowing that everyone's very focused. I've never shot a scene thinking, I wonder if this will make it. Every scene I shoot, I know that it's going to make it into the final cut.
It's unfortunate that some people do not see what entertainers do in the background, but many of us do so much work with causes. You know some people have chewed me out, saying things like, "Oh why could you post pictures in your dresses and meanwhile they killing black men on the street?" I'm thinking, excuse me do you know what I did today? Do you know what I'm doing right now while I'm reading this post? So I think a lot of celebrities get a bad rap because people see the surface.
When it's a good shot, open, in rhythm with our offense you've got to take it. If it's open you've got to have confidence to shoot it and knock it down.
When I came into the NBA, coaches wanted you to shoot a midrange shot or two before you shot your 3 - you know, to get an 'easy one' first.
There are guys who want to shoot the last shot and others who want to pass off. I want that last shot.
It comes to the point where, if a midrange shot is there, I'm going to take it. If I'm open, I have to shoot that shot. That's a great shot for the team and myself.
I know I wanted to be a comic when I was nine. I was thirteen the first time I did it. I was attending a Methodist Church youth retreat at the University of Southern Alabama. They held a talent show on the last night. I won, and then I made out with a 14-year-old girl from Prattville, Alabama.
Usually, I have in mind what I want to do. I shoot pretty economically, so I'm not shooting tons of stuff that I could change, all that much. I'll cut something or add a little something back, but not too much. This is maybe the producer part of me, but I'm always worried about the budget, so I shoot what I know I need to shoot for the film.
Stop saying no offense,” I said, “when you say offensive things. It’s not a free pass.
Reading what a good shot is, based on time and score of the game, based on the shot clock, based on my position - there's a lot of things that go into it. It's a lot of things that you think about based on when to shoot it or when not to.
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