A Quote by Robert Hughes
Popular in our time, unpopular in his. So runs the stereotype of rejected genius.
Related Quotes
It is safest to take the unpopular side in the first instance. Transit from the unpopular is easy... but from the popular to the unpopular is so steep and rugged that it is impossible to maintain it.
My esoteric doctrine, is that if you entertain any doubt, it is safest to take the unpopular side in the first instance. Transit from the unpopular, is easy... but from the popular to the unpopular is so steep and rugged that it is impossible to maintain it.
It's easy to be popular when you don't make the decisions a president makes. And it's easy to be unpopular when you're the president because you're making decisions that at the time might seem unpopular; but when historians sort it out, it changes.
This stereotype as Marcus Mariota as a spread quarterback that just runs read options all the time, that's ridiculous.
A man should learn to detect and watch that gleam of light which flashes across his mind from within, more than the lustre of the firmament of bards and sages. Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts: they come back to us with a certain alienated majesty.
Singers come and go; the music business waxes and wanes. The blues are popular and unpopular, often at the same time.
Commitment to the rule of law provides a basic assurance that people can know what to expect whether what they do is popular or unpopular at the time.
It is our duty to concentrate all our influence to make popular that which is sound and good, and unpopular that which is unsound.
The greatness of a popular character is less according to the ratio of his genius than the sympathy he shows with the prejudices and even the absurdities of his time. Fanatics do not select the cleverest but the most fanatical leaders as was evidenced in the choice of Robespierre by the French Jacobins, and in that of Cromwell by the English Puritans.
Popular culture as a whole is popular, but in today's fragmented market it's a jostle of competing unpopular popular cultures. As the critic Stanley Crouch likes to say, if you make a movie and 10 million people go see it, you'll gross $100 million - and 96 per cent of the population won't have to be involved. That alone should caution anyone about reading too much into individual examples of popular culture.
Talent warms-up the given (as they say in cookery) and makes it apparent; genius brings something new. But our time lets talent pass for genius. They want to abolish the genius, deify the genius, and let talent forge ahead.
One is not unpopular because he uses peculiar expressions; that just so happens; such terms become a fad, and by and by everybody, down to the last simpleton, uses them. But a person who follows through an idea in his mind is, and always will be, essentially unpopular. That is why Socrates was unpopular, though he did not use any special terms, for to grasp and hold his 'ignorance' requires greater vital effort than understanding the whole of Hegel's philosophy.
The genius which runs to madness is no longer genius.
In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty.
I get mad at people who talk about traumatic job interviews, about going on one and getting rejected. I get rejected all the time and not only do I get rejected, but people have no problem being really specific about why I was rejected.
The stereotype of psychotherapy portrayed in popular books and movies is lying on the couch and saying whatever comes into your mind, while a kindly psychoanalyst listens and nods knowingly from time to time. After years and years, something wonderful is supposed to happen.
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