A Quote by Robert Indiana
I've always been fascinated by numbers. Before I was seventeen years old, I had lived in twenty-one different houses. In my mind, each of those houses had a number.
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The happiest I ever been was when I was a struggling actor. I've had big houses and small houses. I always had work available for most of my career. When I actually had to find jobs to make money, that's when I was happy.
All that five thousand kids lived in those five thousand houses, owned by guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed.
We moved around a ton when I was a kid. I think we lived in 9 different houses before I was 15 - we moved from the city back to the suburbs; different suburbs, different houses, all over the place.
It was the first time I was looking, really, right after the storm, that I saw maybe the amount of devastation that had happened in the Lower Ninth Ward. Where my friends lived, which was about six blocks from where the industrial canal was, houses was smashed into houses, and there were, like, four houses smashed together.
Brantford was the fixed point of my universe, growing up. Both sets of grandparents lived there, with various cousins and uncles and aunts, and no matter how far we'd moved off, we came back there for regular visits. In a way no other houses have ever been, my grandparents' houses were 'home,' and the sale of the last of those houses was hard.
A lot of people that I've had around me have been my closest friends since junior high, back when we were exchanging each other's clothes, staying at each other's houses. That was before I had anything.
I've always been charmed by houses, and descriptions of them are prominent in my novels. So prominent, in fact, that my editor once pointed out to me that all of my early novels had houses on the covers.
So, there's a lot of 22 in my life. That always followed me and has always been good to me. I also have a condition that is synesthesia, where you relate different senses with each other. So every time I think of numbers, since I was a kid, each number has had a color in my head.
I've always had a fascination with interior design. As a kid, I used to go to real estate open houses with my parents on the weekends. Like a nerd! I would think of how I would piece rooms together at those open houses.
If in a city we had six vacant lots available to the youngsters of a certain neighborhood for playing ball, it might be "development" to build houses on the first, and the second, and the third, and the fourth, and even the fifth, but when we build houses on the last one, we forget what houses are for.
I had no interest in cinema until I was 24 years old. My friends had posters of their favourite stars in their houses, but I was far from a film buff - very detached from films.
Ask yourself whether our language is complete--whether it was so before the symbolism of chemistry and the notation of the infinitesimal calculus were incorporated in it; for these are, so to speak, suburbs of our language. (And how many houses or streets does it take before a town begins to be a town?) Our language can be seen as an ancient city: a maze of little streets and squares, of old and new houses, and of houses with additions from various periods; and this surrounded by a multitude of new boroughs with straight regular streets and uniform houses.
I've had, what, two years? Probably five good years. Before that I had twenty years of uncertainty and suffering and ego destruction and poverty. All those things. That'll always outweigh the good times.
Brad Wright, who created Grant MacLaren, had me in mind. We'd actually worked together 20 years ago. He wrote an episode of The Outer Limits that I was in in '96 or '95? So we'd been aware of each other for years. I'd lived in Vancouver off and on, where he's based. And it just came to me, and I'm always looking for something different. Perception was a different show than Will & Grace.
It is a dreadful thing to see the dead city. Next to the port I found children, women, the old, waiting for a way to leave. I entered the houses, there were houses where the coffee and pita bread were left on the table, and I could not avoid [thinking] that this, indeed, had been the picture in many Jewish towns [i.e., in Europe, during World War II].
I have had to empty two family homes during the last few years - first, the house that had been my grandmothers since 1923, and then my own country home, which we had lived in for over twenty years.
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