A Quote by Robert Ingpen

I must have been very young, but I have a clear memory of drawing on a cream brick wall... with wax crayons. — © Robert Ingpen
I must have been very young, but I have a clear memory of drawing on a cream brick wall... with wax crayons.
You don’t try to build a wall, you don’t set out to build a wall. You don’t say ‘I’m going to build the biggest, baddest, greatest wall that’s ever been built.’ You don’t start there… You say ‘I’m going to lay this brick as perfectly as a brick can be laid.’ And you do that every single day and soon you have a wall.
I've been drawing as long as I can remember. I think all children draw as soon as they figure out the thumb and can grab crayons. The only difference with people like myself is that we never stopped drawing.
Vladimir Putin is a smart guy. I don't like him, smart guy. He is going to advance the cause of Russia until he hits a brick wall. He's hit a brick wall in a few areas. I think we need to make it clear that your growth of the former Soviet Union is over. You can be a great power that's respected. Fine. But this is not going to be the old Soviet Union.
When I was a kid, we actually lived in a house that had been divided in two at one point, which meant that one room in our house opened up onto a brick wall. And I was convinced all I had to do was just open it the right way and it wouldn't be a brick wall. So I'd sidle over to the door and I'd pull it open.
If you've got a Corvette that runs into a brick wall, you know what's going to happen. He's a Corvette. I'm a brick wall.
If you think Wall Street has a short memory, you're dead wrong. No, the folks who work on Wall Street, regulate Wall Street - and, above all, invest in its wares, notably its hedge funds - don't have a bad memory. They don't have any memory at all.
When you feel that you are at the end of your path and there is a ten foot high brick wall right there in front of you, and you have nowhere to go but backwards, break down that wall and move forward. There are great and wonderful things on the other side of that wall... and, they have always been there. Let nothing divide you from what you need to do in life, and see the solutions that are right in front of you. The key is, you must break down what separates you from them and choose to find them.
As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons or oils. Which is why, to me, the most important thing is what it is you are drawing, and in the themes that I depict, I think hand-drawing is the most effective.
Hand any four-year-old a fist full of crayons, and it is a very, very few who don't get busy with them, drawing, coloring, scribbling. I have not stopped scribbling.
Writing a novel is like building a wall brick by brick; only amateurs believe in inspiration.
A lesson will keep repeating itself until it is learned. Life first will send the lesson to you in the size of a pebble; if you ignore the pebble, then life will send you a brick; if you ignore the brick, life will send you a brick wall; if you ignore the brick wall, life will send you a demolition truck.
Ever hear of the phrase, Banging you're head on a brick wall?" Ah, but you forget, Darren, vampires can break brick walls with their heads.
Is there a brick wall getting in your way? Fine. That happens. But you have a choice. You can walk away from the wall. You can go over the wall. You can go under the wall. You can go around the wall. You can also obliterate the wall. In other words, don't let anything get in your way. Get a balance, and then let the positive outdistance the negative.
A lot of people, I think, harbor some kind of ambition to write a novel - they say, 'One day I'm going to write a novel,' and they maybe find the first three pages quite easy, and then they hit a kind of brick wall, and they think that that brick wall means that they're not a writer.
I think that the FIDE leaders have to reconsider the current drawing rules - their advantages aren't very clear, but their shortcomings are obvious. Artificial drawing of the lots is detrimental for everyone.
What is drawing? How does one get there? It's working one's way through an invisible iron wall that seems to stand between what one feels and what one can do. How can one get through that wall? - since hammering on it doesn't help at all. In my view, one must undermine the wall and grind through it slowly and patiently.
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