A Quote by Robert Irvine
I had written two cookbooks, and they had done well, but I wanted to move to fitness, because it's big with me.
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I called all of the producers and although we didn't have enough money to do that, I had to actually know which shots I wanted to get because we only had at most, one or two takes and then we had to move on.
Big Fish was the first movie that we worked on together, and I had already written it. We had another director, but that director didn't do it. So, it was just a Hail Mary to Tim, and Tim said that he wanted to do it and I was like, "That's fantastic!" But, there wasn't a lot of collaboration because he knew what he wanted to do and just did it. There were very minor changes for Big Fish.
Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
AMD's history is we've always had great technology. We've had periods of time where we've done really, really well, and we've had periods of time where we've done not so well. But most of the time we've done well, it's because we've had a leadership product or some technology where we were out in front before anybody else.
I always had the dream of doing a 'real' infomercial because I had done smaller home shows and fairs. Everyone said it wasn't going to work. 'You need a movie star,' they said. But I wanted to do it myself because I'm selling the passion - there is a problem and I have a solution - that had resonated well with people.
I was 17 when I was forced into marriage. I had no hand in it, and I didn't even enjoy being with the man. Also, I wanted to study, but no one listened to me. I wanted to move forward in life, it wasn't a happy situation. Because of some family problems, I had to stick around.
I used to envy people who had written books, the way I think women envy other women who've had babies. I was resentful, shy, and inhibited around people who had written books. They'd done things I wanted to do.
He wanted to tell her that everything he had done he had done because he was broken, because watching her die had destroyed him, but there was no way to say it that didn’t sound like he was trying to pin the blame outside himself
Going from memoir to fiction was fantastic. I had been afraid to move away from memoir; I'd written some novel drafts, but they weren't well received by my agent at the time, and it had been drilled into me that "memoir outsells fiction two to one" (not sure if that's true anymore, or if it ever was), so I felt like the only smart thing to do, professionally, was to keep mining my life for painful moments to recapitulate.
Everything I've done was above board, as an actor I wanted to do two things. I wanted to entertain as well as get a message across. I never did no pimp roles, no negative roles, or anything like that. I had fun, everything I've done I'm proud to take my mother to.
I really wanted to work with Luc Besson. I'm a big fan of his. Did you ever see 'The Professional.' It was very violent. But a fabulous story, a fabulous movie, very well done. So that and two or three other projects of his that I've seen, I just thought if I had a shot to work with him I wanted to do it.
I actually had to get two fillings. Yeah, I swear. My teeth had been bugging me because I had been eating so much junk food on the road. I was the worst on teh team because I always had a bag of candy with me. I never had any cavities before, but yesterday, I took two for the team.
I think at some point [Big Pun] really wanted to be a singer as well. He would call me at 3 or 4 in the morning and say "Yo Twin, sing something for me!". That's the type of love Big Pun had for me. He had this faith and belief and he expressed it many times. It was overwhelming for me. I think that he honestly believed I was going to make a difference in the game.
When I left Arsenal, it was because I had done everything there and a big club like Real Madrid wanted me and even David Beckham couldn't turn them down.
Applause is interesting, but I'm a monster with or without it. Something is either well written or it isn't. 'White Rabbit' is not well written, and no amount of applause or royalties can convince me it is. I could have done a better job with those lyrics. They didn't say what I wanted.
I had a drummer I really wanted to move to Nashville with me, and he's like, 'Naw, I can't go, man.' He never could pull the trigger. It's a big move. You just gotta be diehard - you gotta give it your all, you know.
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