A Quote by Robert Irwin
There's no way to really mock up or simulate what I'm doing until I'm there. An exhibition for me is not a statement but an experiment.
Related Quotes
I was so impressed with the work we were doing and I was very involved ideologically in photography - that I arranged an exhibition at the College Art Association. The first exhibition I picked the photographs and so on and we had an exhibition in New York.
The man at Kodak told me the shots were very good and if I kept it up, they would give me an exhibition. Later, Kodak gave me my first exhibition.
I see my whole 20s as a massive experiment. So were my teens. I think the problem is that we're not encouraged to experiment; we're encouraged to decide and choose, be singular and focused. You can't be that until you experiment. You don't know what's going to work until you try it.
Up until doing this movie, I hadn't really paid a huge amount of attention to those genres, but after finishing this movie, it really gave me a different sense of appreciation of the way the movies play out.
It was never a marketing tool. People say that, but I dress this way for the same reasons I did when I first started doing it. It still comes from a serious place inside of me. I get up in the morning, and I think I just look better a certain way I do my makeup. I want to shine, I want to glitter. I'm not getting up thinking, "Oh, this'll get 'em." And I'm not doing it to make a statement. I'm just doing it to look like Dolly - the Dolly that I know and the Dolly that you know.
In the media, waterboarding is called 'simulated drowning,' but that's a misnomer. It does not simulate drowning, as the lungs are actually filling with water. There is no way to simulate that. The victim is drowning.
The scientist-community guy may get a $500,000 grant, and if his equipment works or doesn't work, he still gets a gold star for doing the science experiment. For me, there is no merit in anything for doing an experiment; I have to go home with pictures.
I'm so immersed in my little world that I don't often sit back and pay attention to what's going on around me. It truly stuns me when people recognize me. Obviously, I'm not a film star, but even at a design exhibition or art exhibition, if someone comes up to me, I'm sort of taken aback. I don't think of myself like that. But if I can have an effect on young designers, that's great - particularly young designers coming from Australia. Europeans grew up with design. The rest of us lived on tidbits of information.
I didn't have an exhibition anywhere until I was 30. My first exhibition was at 30, and then for my first show in America, I'm 50. It's kind of all right: I'm just a slow burner.
At the Summer Exhibition, I didn't really change anything; it's the same exhibition. All I changed is the presentation. I didn't really change the rules.
Experiment is actually doing the art. That's the experiment and then you get to experience the experiment.
The fact that there's all these really messed-up people on the Internet is not a statement about the Internet. It is a statement about those people and what they do, and we need to basically say that you guys are doing something unacceptable and not generalise it into a comment about 'this is what's happening to the blogosphere.'
I used to be really comfortable with my body until I started hearing from people I didn't even know who have no relevance to me saying, 'You're ugly. You're fat. You're old.' And I thought, 'Hold on - I was doing alright until you piped up.'
It's turns out to be much easier to simulate a grandmaster chess player than it is to simulate a 2-year-old.
At first glance, you read something on the page and it can seem one way, and you can have your decisions before you wind up on set about what that set is supposed to mean, but until you're actually there doing them, there's really no way to understand it.
Lately, I've discovered the Hellenistic bronzes. I'd never really thought about them much, but then there was this marvelous exhibition - many of them Roman, some of them Greek, all kinds of wonderful standing figures or heads or horses. It all suddenly became a passion of mine. I finally got to see that exhibition, which led to the idea of bringing up the statue in the film.
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