A Quote by Robert Irwin
It's my observation that gardeners and gardening for a very long time have had to take a back seat. Architects are very famous; they've got huge projects. What goes on in and around them has been relegated to a very minor role.
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I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging.
I'm very pragmatic in that I know there are very few greats in anything. I got lucky just to have gotten two of the real great filmmakers very early on. Better to have had them than to not have had them. I've been really fortunate. That's the key relationship on a movie: the director and the actor. Of course, you can't compare the experiences. When you're in your early 20s, you're a very different person. It was a very exciting time, and my whole world was changing. Now I'm looking back, and hoping I can still offer something. Still do good work.
Hassan N'Dam is a very good fighter, he's very experienced and been around a long time. He's got good footwork, very good movement.
I went through a very hairy period. I had a movie where I was going to play Walt Whitman that fell through. At the time, I had grown this huge beard and very long hair. But then, the movie got canceled, I had some other parts, and I currently have very short hair. So, when I look in the mirror, I don't know who I am exactly. It's interesting.
I think architects have a major role in being responsible for illustrating what the future could be. Because of the very strong political and commercial climate, many architects are trying very hard to solve everyday issues, to respond to the authorities.
The actual truth about Gad is it's one of the original 13 tribes of Israel, so you can actually trace my lineage back to, like, those guys who had, like, a hand in the Bible and have since become very famous from that. So I come from very famous lineage. Granted, they didn't have cameras back then, so none of them had TV shows.
I'm very much in work mode, and that can be very difficult for someone to deal with. I dedicate so much of myself to my work that I even take a back seat to that sometimes. My mother says that Tremaine takes a back seat to Trey Songz.
I would change very little because I have been very, very fortunate. A lot of things fell into place for me simply by happenstance. When that happens you don't really want to change anything, even if you could. Editorially my regrets are few and for the most part minor. I look back on my first published book and think I held on to it too long, babied it too long.
I have been very happy, very rich, very beautiful, much adulated, very famous and very unhappy.
In documentary, which is the only thing I'm really very familiar with, women are very easily relegated into a producer role.
Remember, when YouTube was founded in the U.S., America's Funniest Home Videos had been around for a long time. In China, the history of TV as well as user-generated video is very, very short. So, we've actually had to do a lot of things to motivate that.
I was so poor for so long that I didn't use anything. I didn't drive cars, I didn't eat very much. So, I figured the world owed me a debt, so I've been eating very well and have had a very big car for a long time. But I still haven't caught up with my youth.
A lot of times, female characters - particularly the villains - come off as very one-dimensional. They get the short shrift in that they're only given the snappy comeback, or they're relegated to a very stereotypical role. I want to know what's driving them - that's what's really interesting.
Everybody thinks that this civilization has lasted a very long time but it really does take very few grandfathers' granddaughters to take us back to the dark ages.
That is - the use of the subjective camera is an idea that's been around in movies for a long, long time. And it's an idea that was seized on very notably by Sam Fuller and by Alfred Hitchcock in two different very kind of - otherwise very different styles of filmmaking.
I kind of feel that once we're back in London and back in regular life, I just sort of get the bus and very occasionally this whole other role [ in Chronicels of Narnia] slips into my home life. Randomly people recognise me but even then it's very minor. It's not as if my life has been turned on its head and I can't walk down the street unless I'm wearing dark sunglasses and a ninja kit.
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