A Quote by Robert Irwin
I slowly dismantled the act of painting, to consider the possibility that no-thing ever really transcends its immediate environment.
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Painting... in which the inner and the outer man are inseparable, transcends technique, transcends subject and moves into the realm of the inevitable.
Music is an amazing thing. I don't know if we really think about it the same way we consider a painting an amazing thing. I mean, a painting is, in quotes, imaginary. There is nothing on the canvas when you start; and writing a song, there is nothing there when you start.
The only way of full knowledge lies in the act of love; this act transcends thought, it transcends words. It is the daring plunge into the experience of union. To love somebody is not just a strong feeling-it is a decision, it is a judgment, it is a promise.
Do not wait for a change of environment before you act. Cause a change of environment through action. You can act upon your present environment so as to cause yourself to be transferred to a better environment.
How do you know if the next act you are about to do is the right one or the wrong one? Consider the face of the poorest and most vulnerable human being that you have ever chanced upon, and ask yourself if the act that you contemplate will be of benefit to that person; and if it will be, it's the right thing to do, and if not, rethink it.
... these are the two factors that lead to the destruction of our environment: money and time-or to say it another way, greed and haste. The question is, or seems to be, are we going to have an immediate profit and an immediate saving of time, or are we going to do what we really should do as God's children?
Man has the possibility of existence after death. But possibility is one thing and the realization of the possibility is quite a different thing.
Fatherhood is the best thing I ever did. It changes your perspective. You can write a book, you can make a movie, you can paint a painting, but having kids is really the most extraordinary thing I have taken on.
Presenting both sides of Christianity gives the skeptic room to breathe - and to consider the possibility that there's room in Christianity for diversity in interpreting the Bible. And it gives the traditionalist pause to think again - and to consider the possibility that she might need to tweak her hermeneutic.
If you were ever dumped after knitting a guy a sweater, consider the possibility that the problem was with the sweater, not you. The recipient probably took one look at the thing, imagined a lifetime of having to pretend to like (and wear) this sweater and others of its like, and saw no choice but to flee into the night
Absolutely the greatest challenges in dealing with discrimination are with the larger group who needs to consider how they think and act in everyday life. It remains the possibility of the majority to accept the call to change.
Something like 'Psycho,' which is this psychological thing that slowly, slowly, slowly builds, and actually it's a much more powerful reaction you have when it assumes that you're intelligent as you're watching it. I want them to make me believe that whatever's happening could really happen, and then it becomes much more frightening.
I don't really believe in political art. I feel in my heart the purpose of art transcends cultural and class and politics. I think something like the Sistine Chapel is something that goes beyond just being a Christian thing. It transcends its Christianity and becomes sort of a universal beauty. And I think that's true of music and art and literature.
Painting is so close, so personal, so immediate, and so ordinary... It is the ordinary resurrections that define your painting.
Perhaps the people of Twitter are more amenable to your babbling than your immediate family, but that doesn't necessarily make digital communication a beneficial distraction when we have an immediate social environment.
Painting is a duality and abstract painting is an entirely aesthetic thing. It always remains on one level. It is only really interesting in the beauty of its patterns or its shapes.
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