A Quote by Robert J. Samuelson

When you become 70, you can't deny that you're on the downhill. But I keep doing what I've been doing. If I retired, what would I do? I'd brood about my kids and I'd play around with my investments, which would probably cost me.
I often wonder what would have happened to me if I hadn't made that decision. I suppose I would have sunk. I suppose I would have found some kind of hole and tried to hide or pass. After all, we make ourselves according to the ideas we have of our possibilities. I would have hidden in my hole and been crippled by my sentimentality, doing what I was doing, and doing it well, but always looking for the wailing wall. And I would never have seen the world as the rich place that it is. You wouldn't have seen me here in Africa, doing what I do.
The Nobel Prize has been a disturbance at the beginning of October for some years. It would be gratifying to win, but it would be quite an ordeal, too, with all the events which go on for two days. I'd think carefully about what I was doing the day it is announced and maybe not be around, or be around, but elsewhere.
Whether they love me or don't love me, they think I know what I'm doing and that people aren't gonna be taking advantage of the country. So if I had my choice, I'd love to keep doing what I'm doing. The country is in serious, serious trouble, like it's never been before. And that's why I'm saying: Would I rather stay in Trump Tower? Would I rather stay and lead the life I'm leading - and you know something about my life. It's very good.
My agent in London told me, after Never Let Me Go, because I loved doing that so much, "If you're on a lucky streak and you're doing well, you should only take a part, if you can't bear the idea of anyone else doing it." That's been the case since then, with Drive and Shame and the play (The Seagull), and the stuff that's going on, like Gatsby. I would have been devastated, if I hadn't gotten those jobs.
I'm really into the rights of immigrants, the rights of the working poor. I'm one of those little activist types. I probably would have just gone to law school. And the scary part is that I was one of those kids who always tested really well. You put a test in front of me, and I would have been like do-do-do-do-do. I probably would have been some community lawyer somewhere - if anything, that's probably what I would have been doing.
I thought I would spent my career doing Chekhov and Ibsen in regional theaters, so the fact that I started doing new plays was a whole new world I didn't expect, and that I would like to keep doing.
And in the future, you know, maybe there's kids in the future for me, I don't really know. The interesting thing with me is that there has never been a woman doing what I'm doing at this level for this long. So, it's like, would Vince give me maternity leave?
I would go with my husband to the tailors where he gets his shirts made, and I would watch the bespoke process. I would ask them, "Would you be able to make that for me?" And they would always say, "Well, yes, but no." They were very French about it. I decided I would just do it for myself. And I started doing that. Then other people would notice, and want it. So I started doing things for friends, little pieces, and my own line grew that way.
If I had kids, my kids would hate me. They would have ended up on the equivalent of the Oprah show talking about me; because something [in my life] would have had to suffer and it would've probably been them.
I would much rather have regrets about not doing what people said, than regretting not doing what my heart led me to and wondering what life had been like if I'd just been myself.
If you think about it enough to have a really articulate answer, you're not doing it right. That's how I feel about art. If your thought process could take you to knowing exactly what you're doing and why, there would be no point in making the art. It would become like propaganda. It's more nebulous than that.
I can't imagine ever not doing [acting]. I would feel like I would have lost a limb. But I am older now, and sometimes I wonder who I would have been and what about me would have changed had I not had these experiences as a young person
I think you gotta always do things that keep you excited in an [rap music] industry that's so bullshit. When you know that you have so much energy and so much to give, it would be a shame if the facilitators of that aren't enthusiastic about you doing it, because you've been doing it for so long. So you just gotta figure out ways in this insane business to keep it fresh.
I was being a sort of rebellious teenager, really. But there was never any point at which I was considering leaving Harry Potter. If I were to stop acting, it would have been after. As long as they kept asking me to come back, I was gonna keep doing it. 'Cause I loved the story! There's no way I would have left.
If Miles Davis hadn't died it would have been interesting to do an album with him, but there wasn't much else that would have got me into the studio... although Herbie Hancock has just been in touch about doing something and that would be an interesting combination.
Besides film, I'd like to be the young Regis. That would be great. Going back and forth from L.A. to New York. Doing stuff on food. Doing stuff on kids. Just talking about issues that are relevant. Doing things on the Olympic Games.
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