A Quote by Robert J. Sawyer

Paul Levinson has outdone himself: The Plot to Save Socrates is a philosophically rich gem full of big ideas and wonderful time-travel tricks. — © Robert J. Sawyer
Paul Levinson has outdone himself: The Plot to Save Socrates is a philosophically rich gem full of big ideas and wonderful time-travel tricks.
Mitt Romney has outdone himself in choosing Rep. Paul Ryan as his running mate.
Socrates splits himself into two, so that there are two Socrates: the Socrates who knows in advance how the discussion is going to end, and the Socrates who travels the entire dialectical path along with his interlocutor.
Socrates called himself a midwife of ideas. A great book is often such a midwife, delivering to full existence what has been coiled like an embryo in the dark, silent depths of the brain.
Life is full of little surprises. Time travel is full of big ones.
The difference between Socrates and Jesus is that no one had ever been put to death in Socrates' name. And that is because Socrates' ideas were never made law. Law, in whatever name, protects privilege.
To save my son, I would plot with the devil himself.
Unlike some of the time-travel movies I love, like 'Primer' or '12 Monkeys,' 'Looper' is not about time travel. It's about this situation that time travel creates and the people dealing with that situation. So narratively, the big challenge was to have time travel get out of the way.
Socrates.- If all goes well, the time will come when one will take up the memorabilia of Socrates rather than the Bible as a guide to morals and reason... The pathways of the most various philosophical modes of life lead back to him... Socrates excels the founder of Christianity in being able to be serious cheerfully and in possessing that wisdom full of roguishness that constitutes the finest state of the human soul. And he also possessed the finer intellect.
In San Francisco, I found Warren Levinson, who had set up a program to study Rous Sarcoma Virus, an archetype for what we now call retroviruses. At the time, the replication of retroviruses was one of the great puzzles of animal virology. Levinson, Levintow and I joined forces in the hope of solving that puzzle.
The future. Space travel, or cosmology. Alternate universes. Time travel. Robots. Marvelous inventions. Immortality. Catastrophes. Aliens. Superman. Other dimensions. Inner space, or the psyche. These are the ideas that are essential to science fiction. The phenomena change, the basic ideas do not. These ideas are the same philosophical concepts that have intrigued mankind throughout history.
Chris Claremont once said of Alan Moore, "if he could plot, we'd all have to get together and kill him." Which utterly misses the most compelling part of Alan's writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded.
Happiness does not depend upon a full pocketbook, but upon a mind full of rich thoughts and a heart full of rich emotions.
There's no neutral language about travel. Either travel is described in ways that make it sound kind of shallow or just glossy or silly or a way for rich people to spend their time; or else travel is often described in quite derogatory ways, you know, like immigrants swarming across borders, for instance.
The Mirror Empire is the most original fantasy I've read in a long time, set in a world full of new ideas, expanding the horizons of the genre. A complex and intricate book full of elegant ideas and finely-drawn characters.
Turner has outdone himself; he seems to paint with tinted steam, so evanescent and so airy.
Once I'm given an idea for a story I have a million ideas on how it should be illustrated, but I don't have a big shoebox full of unfinished ideas.
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