A Quote by Robert J. Sawyer
I was paid more for the serialization rights for each book than I got as an advance for my first novel. In other words, there is an economic value in serialization in and of itself.
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The danger of serialization is that you almost get into a monotone - where they all have the same beat and pace, and it's all one long thing - and when you can kind of do this interesting mixture of episodic and serialization, you can kind of take the audience on a more interesting journey.
The first book advance I got was paid out in thirds. And over time, as I've had different deals, the advances get chopped up into ever-smaller parcels.
What I cannot follow are the manic-depressive fluctuations from total control to no control, from the serialization of all elements to chance.
The serialization through the Internet or through digital portals, means of ways of communicating, and I think that's great.
My goal with The Adventures of Captain Underpants was to invent a style which was almost identical to that of a picture book - in a novel format. So I wrote incredibly short chapters and tried to fill each page with more pictures than words. I wanted to create a book that kids who don't like to read would want to read.
Ultimately the first, best step in getting your work noticed is to write good work. If people don't engage in your writing, no amount of serialization or free downloads is going to matter. You have to write something worth reading, and often it takes time to get at that level.
Ultimately, the first, best step in getting your work noticed is to write good work. If people don't engage in your writing, no amount of serialization or free downloads is going to matter. You have to write something worth reading, and often it takes time to get at that level.
A composition is always more than the sum of its parts. In other words, a really good piece of music is more than itself. It's sort of like a prism, which you can see from each facet a single totality.
I first heard the term "meta-novel" at a writer's conference in Tulsa, Oklahoma. The idea is that even though each book in a series stands alone, when read collectively they form one big ongoing novel about the main character. Each book represents its own arc: in book one of the series we meet the character and establish a meta-goal that will carry him through further books, in book two that meta-goal is tested, in book three - you get the picture.
The quilt format is highly appropriate for repetition and serialization. Formal issues of balance and color, space and light in landscape are endlessly engaging. I try to use the medium to its maximum, pushing well beyond tradition.
I'm just interested in serialization in fiction. I'm fascinated by it. I love the 19th-century novels. I'm interested in ways to bring that back to fiction.
People often call 'If I Stay' my baby novel, and I have to correct them. It's not my first book. It's just the first one anybody paid attention to.
Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
What must novel dialogue . . . really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique.
I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like 'Game of Thrones' is a perfect example of that, or even a show like 'The Wire,' which isn't all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.
Our innate, built-in human value is the reason we have binding duties or obligations towards each other that we don't have towards any other kind of thing. It's also the reason we have unalienable human rights. If man's God-given, special value falls, then unalienable human rights fall, too.
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