A Quote by Robert James Thomson

When I look at the faces of turning drivers, I mostly see them looking in the direction of oncoming motorists rather than at the people they're about to turn into. — © Robert James Thomson
When I look at the faces of turning drivers, I mostly see them looking in the direction of oncoming motorists rather than at the people they're about to turn into.
Very often the people who are shooting your film do not look like you if your film is brown-centric in some way. What is very interesting is to be going through these scenarios and turning around and looking at so many faces that are not yours. Even though those faces are looking at you in love, it puts you in a space when you are on a plantation in that condition. I think that it allows you to see further into possibly what that place really was for someone else, except thank God we're with people who love and respect us.
Drivers tend to look for other drivers, rather than for pedestrians or cyclists.
Fast drivers can see no further than slow drivers, but they must look further down the road to time their reactions safely. Similarly, people with great projects afoot habitually look further and more clearly into the future than people who are mired in day-to-day concerns.
If you look back at our history, we always tend to see drivers in waves move in one direction so it's not uncommon to have three, four or five of your top drivers exit for different reasons in a short period of time, two years, whatever it is.
When we look outside of that on which we depend we ignore our unity; looking outward we see many faces; look inward and all is one head. If a man could but be turned about, he would see at once God and himself and the All.
The movie not only about what story you're telling and who you're looking at. It's mostly about how you're telling it and how you're looking at it. And people who don't like it, who say, "Oh, it's not 'true' because you're looking at it in a stylized way" - it's a movie and it's fiction, so it's also a lot in the artistic direction that it is political.
When people have something proven to them, and they see that it really benefits them, they don't have to be looking for a change or be at rock bottom. When they see something proven that is of benefit to them, they'll turn around 180 degrees and never look back.
The first time people come to see me, it's usually because they're curious. Then maybe some of them return. I look out in the audience and see the same faces, the same wonderful, loyal faces.
There seems to me to be something admirable, indeed noble, about the people arguing over Richard III. They're doers rather than naysayers, romantics rather than realists, people looking for meaning rather than numbness.
It's not about being upset about the things you might have said or done yesterday, which is quite appropriate at the moment. It's about looking forward rather than looking back. I hate people who look back on the past or talk about what might have been.
Today, rather than looking for the worst in people, I encourage you to look for what's best within them.
I think it is really important to have two drivers who want to push the team in the right direction rather than fighting against one another.
Birth order effects are like those things that you think you see out of the corner of your eye but that disappear when you look at them closely. They do keep turning up but only because people keep looking for them and keep analyzing and reanalyzing their data until they find them.
Conscience is all about using discernment, discrimination and assessment, rather than looking to the rather crude form of advice from the judge that's mostly attacking our sense of worth or value, instead of giving us helpful information.
This is interesting. Researchers have found that people who drive drunk are more dangerous on the road than drivers who are high on marijuana. Don't get too excited. It's mostly because the drivers using marijuana are just sitting in the Taco Bell drive-through.
But why look back at all? Why turn your eyes to your shadow, when, by looking upward, you see your rainbow in the same direction?
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