A Quote by Robert Jordan
hope is like a piece of string when you’re drowning; it just isn’t enough to get you out by itself.
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Someone once told me that children are like kites. You struggle just to get them in the air; they crash; you add a longer tail. Then they get caught in a tree; you climb up and bring them down, and untangle the string; you run to get them aloft again. Finally, the kite is airborne, and it flies higher and higher, as you let out more string, until it's so high in the sky, it looks like a bird. And if the string snaps, and you've done your job right, the kite will continue to soar in the wind, all by itself.
The fact that I'm a fifth of Punch Brothers... that's lucky for me because I feel like I get to operate in the context of one of the great string bands. There's just not another string band I would rather be in, and i'm just compelled to make music for and with string bands. It's what I know, and it's kind of like who I am.
I'm a doodler. It was my first job as a boy, and I still do it. At night I keep a block of paper and a pencil with a huge piece of string next to me. When I have an idea, I grab the string and just doodle.
You're not going to see me in a bikini again, that's for sure. I was horrified to wear that. I was mortified. I was like, "Danny, can you put me in a one-piece?," and he gave me that red bikini. I was like, "That's not a one-piece. That's a two-piece with a string."
Just like an ordinary guitar string, a fundamental string can vibrate in different modes. And it is these different modes of vibration of the string that are understood in string theory as being the different elementary particles.
To get from people you had to give a piece of yourself, a real piece that mattered. Just being nice was not enough.
They call it the drowning instinct. It's when drowning doesn't look like drowning. (pg. 241)
Drowning was bad enough. But drowning sad and sober, that's too cruel.
For in tremendous extremities human souls are like drowning men; well enough they know they are in peril; well enough they know the causes of that peril;--nevertheless, the sea is the sea, and these drowning men do drown.
Any type of commercialization or, like I said, watering that idea down would be so damaging and frankly, be pretty uninspiring to me, because the fact that every piece is like my dream thing that I just can't get enough of and am just so excited to wear, is just the whole point of it.
The Big Bang has gone away, but as far as Super String, that is suspicious for me. It all starts out with the notion of Big Bang, which if it were true, starts out with incredibly high temperatures. So they think [we] need to get these high temperatures for this broken symmetry; all this broken symmetry reunited, and we do not have enough energy in the whole galaxy to get to those temperatures, to prove their point. To me, that is the single flaw in Super String theory.
I'm beginning to see that just knowing the piece is not enough. Having a clear technique is not enough. Having a broad repertory is not enough. I want desperately to get past all those things.
There are things roaming around inside my head as clever as Theseus in the Labyrinth. It's just that nobody ever gave them the necessary piece of string, so they'll never find their way out.
For us, being a label, we took out the whole aspect of the business that goes into sifting through people who don't care, who don't get what you're trying to do. We can just hire and work with people who get it - the people who understand what this project is about. When you're on a label, you're just hoping somebody will stick their neck out and work for you. Most bands are just like, "I hope they do it. I hope they promote it." But being a label, we know exactly what's happening.
If I want to see someone, I want to see them, and if I don't, then I don't. My friends are always telling me I have to play hard to get because I'll pretty much say to a guy, 'I like you - let's go hang out.' But my friends are like, 'You can't do that! You have to string this guy along.' And I'm just like, 'No! I won't! I just want to go on the date!' It's a nightmare - I definitely haven't figured it out yet.
I just hope, in all honesty, that Steve will walk if he hits it, you know what I mean? I would hate to be bringing up my bent finger as a controversial decision. I hope he'll go nice and easy - caught in the covers or bowled middle stump. I just hope he doesn't get his pads in the way or his bat's wide enough to get a thin edge [on Steve Waugh's last innings]
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