A Quote by Robert Jordan

If your enemy offers you two targets, strike at a third. — © Robert Jordan
If your enemy offers you two targets, strike at a third.
If an umpire misses a called third strike and the other side ends up scoring because of it, I'm not going to forget it. If there are runners on second and third and two out, and if the umpire has just given the hitter an extra strike and the next pitch goes into the hole and both runs score, I've got to say something to the guy.
The government targets 'Anonymous' for the same reason it targets al-Qaida - because they're the enemy.
The primary thing when you take a sword in your hands is your intention to cut the enemy, whatever the means. Whenever you parry, hit, spring, strike or touch the enemy's cutting sword, you must cut the enemy in the same movement. It is essential to attain this. If you think only of hitting, springing, striking or touching the enemy, you will not be able actually to cut him.
When you get strike one, strike two, you're putting pressure on them to swing at your pitches.
If there's a runner on third with less than two outs, I clearly do not want to strike out.
When I used to perform weddings, the image I always had was the image of a triangle, in which there are two partners and then there is this third force, this third being, that emerges out of the interaction of these two. The third one is the one that is the shared awareness that lies behind the two of them.
Feelings are only your history being occasioned by the present moment. If that's your enemy, then your history is your enemy. If sensations are your enemy, your body is your enemy. And if memory is your enemy, you'd better have a way of controlling your mind in such a way that you never are reminded of things that are painful from the past. If you avoid people, avoid having your buttons pushed, avoid going to places that might occasion anxiety; if you're hammering down drugs and alcohol; these are all methods of trying to mount that unhealthy agenda.
An enemy, Ender Wiggin," whispered the old man. "I am your enemy, the first one you've ever had who was smarter than you. There is no teacher but the enemy. No one but the enemy will tell you what the enemy is going to do. No one but the enemy will ever teach you how to destroy and conquer. Only the enemy shows you where you are weak. Only the enemy tells you where he is strong. And the rules of the game are what you can do to him and what you can stop him from doing to you. I am your enemy from now on. From now on I am your teacher.
You deal with failure - strike, strike, strike - all the time. Acting is like that. You have to have a very thick skin in a way - your hair is too dark, you're too ugly for the part, your audition wasn't good.
Strike an enemy once and for all. Let him cease to exist as a tribe or he will live to fly in your throat again.
The enemy of the black is not the white. The enemy of capitalist is not communist, the enemy of homosexual is not heterosexual, the enemy of Jew is not Arab, the enemy of youth is not the old, the enemy of hip is not redneck, the enemy of Chicano is not gringo and the enemy of women is not men. We all have the same enemy. The enemy is the tyranny of the dull mind. The enemy is every expert who practices technocratic manipulation, the enemy is every proponent of standardization and the enemy is every victim who is so dull and lazy and weak as to allow himself to be manipulated and standardized.
Two days after the Boston marathon bombings, there was a drone strike in Yemen attacking a peaceful village, which killed a target who could very easily have been apprehended. But, of course, it is just easier to terrorise people. The drones are a terrorist weapon; they not only kill targets but also terrorise other people.
Strike-for your altars and your fires; Strike-for the green graves of your sires; God-and your native land!
Be careful how you choose your enemy, for you will come to resemble him. The moment you adapt your enemy's methods your enemy has won. The rest is suffering and historical opera.
When you edit, you imagine your enemy is seated on the other side of the table. Your enemy! And your enemy is going to read that with a viciousness, because he knows where you didn't work on it. He's going to shake it and really aim for that jugular. So you are going to polish, and revise, and rewrite, and cut out, and shape it, so that your enemy has no place to grip it. That's how you revise.
Wages? You want to be wage slaves? Answer me that! Of course not. What is it that makes wage slaves? Wages! I want you to be free. Strike off your chains! Strike up the band! Strike three you're out! Remember, there's nothing like Liberty, except Colliers and The Saturday Evening Post. Be free, now and forever. One and individual. One for all and all for me, and tea for two and six for a quarter.
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