A Quote by Robert Kegan

When we see that we are not made up by the other's experience, we then have the capacity not to take responsibility for what is now genuinely and for the first time not ours. And as a result, we can get just as close to the other's experience (even the other's experience of how dissapointing, enraging, or disapprovable we are!) without any need to react defensively to it or be guiltily compliant with it.
The first fundamental of successful city life: People must take a modicum of responsibility for each other even if they have no ties to each other. This is a lesson no one learns by being told. It is learned from the experience of having other people without ties of kinship or close friendship or formal responsibility to you take a modicum of responsibility for you.
Hire and promote first on the basis of integrity; second, motivation; third, capacity; fourth, understanding; fifth, knowledge; and last and least, experience. Without integrity, motivation is dangerous; without motivation, capacity is impotent; without capacity, understanding is limited; without understanding, knowledge is meaningless; without knowledge, experience is blind. Experience is easy to provide and quickly put to good use by people with all the other qualities.
It's not what you go through, but how that experience affects you. For some people, it could be a near car crash that changes your life. For other people, it could take five years of going to prison for them to realize they need change in their life. So it's not really the experience but more how the experience affects you.
Any opportunity to be at the All-Star Game is a unique experience. It's an honor and a special time with the other players we don't ordinarily get to spend time with. It's a fun couple of days and something that goes by quickly in my experience. I try to enjoy it.
First and foremost, I want people on concerts to have a really great experience away from the negative press and negative stuff that you see on the news and Facebook. I don't even like seeing people's cell phones. Let's have a human experience and rub up against each other, you know.
As a player it is great to experience many other ways of playing, other tactics and other mentalities. I have played in several countries and because of that I know without any doubt that the English league is the one for me.
That authentic experience that happens both in the artist and in the audience you can classify as a mystical experience. You can classify it as aesthetic shock, or even a psychedelic experience. Some people seek to recreate that experience through drugs. But the other way that you can do it is through art, and through spectacle. We have those experiences when we go to rock shows, or when we listen to a piece of classical music, or read a particular poem, or see a painting.
I think it's useful to experience other types of dance and other cultures, and the life of a classical dancer these days is certainly not all tutus! So experience of other dance forms is a good idea.
In my own experience I have found that the most extravagant dreams of boyhood have not surpassed the great experience of being in the Will of God, and I believe that nothing could be better. That is not to say that I do not want other things, and other ways of living, and other places to see, but in my right mind I know that my hopes and plans for myself could not be any better than He has arranged and fulfilled them. Thus may we all find it, and know the truth of the Word which says, He will be our guide even until death.
The one thing that I will never forget, going forward, from my experience on Southland is that, as an artist and as a professional, I prepare so different, now that I've had that experience. And I've taken the preparation that we learned on Southland to other things, and it's just made me that much stronger.
I think a lot of things are written from experience, but then you become a writer and talk about other people's experience and you tell stories. I mean, you can't just tell your own story all the time.
It's much more interesting for me to think that taking a chunk of experience and mushing it up together with other things that are inventible, remembered from some other time or stolen from other people's stories... and see if I can make it into something that works, an object, a little machine that runs.
What's recommended is that if you have a good experience, don't get too excited. And if you have a bad experience, don't mistake it for a serious deviation or a sidetrack that you have to find your way back from. If you have a bad experience, just continue practicing as you were. In other words, whatever happens, just keep looking at your mind.
It's my belief that one of the unconscious reasons which underlies the odd attitude of the establishment toward hallucinogens is the fact that they bring the mystery to the surface as an individual experience. In other words, you do not understand the psychedelic experience by getting a report from Time magazine or even the Economist. You only understand the psychedelic experience by having it.
It is a fact beyond question that there are two kinds of Christian experience, one of which is an experience of bondage, and the other an experience of liberty.
People should go to the works and experience them. Because just having an idea or picture in mind is absolutely not the experience that's necessary. Even just landing in Albuquerque or Salt Lake City or Las Vegas was immediately part of the experience. And then you'd get in a car from the airport and take these very long trips - in Michael Heizer's case, it was three hours by car to get to his work. And then there's walking around and into the piece and seeing it from different angles. The kinetic experience of being a part of it physically was very important for me.
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