A Quote by Robert Kennedy
If any man claims the Negro should be content... let him say he would willingly change the color of his skin and go to live in the Negro section of a large city. Then and only then has he a right to such a claim.
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If you teach the Negro that he has accomplished as much good as any other race he will aspire to equality and justice without regard to race. Such an effort would upset the program of the oppressor in Africa and America. Play up before the Negro, then, his crimes and shortcomings. Let him learn to admire the Hebrew, the Greek, the Latin and the Teuton. Lead the Negro to detest the man of African blood--to hate himself.
I say that the negro, when he is, when, when they cease to look at him as a negro and realize that he's a human being, then they will realize that he is just as capable and has the right to do anything that any other human being on this earth has a right to do to defend himself.
I maintain that I have been a Negro three times--a Negro baby, a Negro girl and a Negro woman. Still, if you have received no clear cut impression of what the Negro in America is like, then you are in the same place with me. There is no The Negro here. Our lives are so diversified, internal attitudes so varied, appearances and capabilities so different, that there is no possible classification so catholic that it will cover us all, except My people! My people!
The negro king desired to be portrayed as white. But do not laugh at the poor African; for every man is but another negro king, and would like to appear in a color different from that with which Fate has bedaubed him.
If I did see a white man who was willing to go to jail or throw himself in front of a car in behalf of the so-called "negro cause," the test that I'd put to him, I'd ask him, "Do you think negro, when Negroes are being attacked they should defend themselves even at the risk of having to kill the one who's attacking them?" If that white man told me, "Yes," I'd shake his hand.
How ironic that the Negro, who more than any other people can claim America's culture as his own, is being persecuted and repressed; that the Negro, who has exemplified the humanities in his very existence, is being rewarded with inhumanity.
If an American, because his skin is dark, cannot eat lunch in a restaurant open to the public, if he cannot send his children to the best public school available, if he cannot vote for the public officials who represent him, if, in short, he cannot enjoy the full and free life which all of us want, then who among us would be content to have the color of his skin changed and stand in his place? Who among us would then be content with the counsels of patience and delay?
His master’s pain was his pain. And it hurt him more for his master to be sick than for him to be sick himself. When the house started burning down, that type of Negro would fight harder to put the master’s house out than the master himself would. But then you had another Negro out in the field. The house Negro was in the minority. The masses—the field Negroes were the masses. They were in the majority. When the master got sick, they prayed that he’d die. If his house caught on fire, they'd pray for a wind to come along and fan the breeze.
To my mind, it is the duty of the younger Negro artist, if he accepts any duties at all from outsiders, to change through the force of his art that old whispering 'I want to be white,' hidden in the aspirations of his people, to 'Why should I want to be white? I am a Negro - and beautiful!'
We should emphasize not Negro History, but the Negro in history. What we need is not a history of selected races or nations, but the history of the world, void of national bias, race, hate, and religious prejudice. There should be no indulgence in undue eulogy of the Negro. The case of the Negro is well taken care of when it is shown how he has far influenced the development of civilization.
Instead of the Negro leaders having the black man begging for a chance to - to dine in white restaurants, the Negro leader should be showing the black man how to do something to strengthen his own economy.
It is the duty of the younger Negro artist . . . to change through the force of his art that old whispering "I want to be white," hidden in the aspirations of his people, to "Why should I want to be white? I am a Negro - and beautiful!"
Any man having one drop of the seed of Cane in him Cannot hold the priesthood ... I will say it now in the name of Jesus Christ. I know it is true & they know it. The Negro cannot hold one particle of Government ... if any man mingles his seed with the seed of Cane the only way he Could get rid of it or have salvation would be to Come forward & have his head Cut off & spill his Blood upon the ground. It would also take the life of his Children.
If a city has a 30% Negro population, then it is logical to assume that Negroes should have at least 30% of the jobs in any particular company, and jobs in all categories rather than only in menial areas.
What the Negro wants - and will not stop until he gets - is absolute and unqualified freedom and equality here in this land of his birth, and not in Africa or in some imaginary state. The Negro no longer will be tolerant of anything less than his due right and heritage. He is pursuing only that which he knows is honorably his. He knows that he is right.
In the early days of my carer as an actor, I shared what was then the prevailing attitude of Negro performers :;that the content and form of a play or a film scenario was of little importance to us. What mattered was was the opportunity, which came so seldom to our folks ... Later I came to understand that the Negro artist could not view the matter simply in terms of of his individual interests, and that he had a responsibility to his people who rightfully resented the traditional stereotyped portrayals of Negros on stage and screen.
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