A Quote by Robert Klein
One of my greatest inspirations for stand-up was Jonathan Winters. He was a genius. One thing about him, and also Lenny Bruce, is that they were in the tradition of the one-man show. That's why Richard Pryor was so great, and George Carlin, too. They prowled the stage, they used voices, they were really talents.
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You look at Richard Pryor and Robert Klein and George Carlin and Richard Lewis - those guys were so smart, they were the thinking-man stand-ups.
I think humor is actually a very serious thing. I think the people who shaped culture, for the better, in the last 50 years or so, more than almost anyone else are people like Lenny Bruce, George Carlin, Richard Pryor and even Chris Rock, back when he was doing the edgier stuff.
The earliest stand-up comedy I was aware of was Bill Cosby. I watched Saturday Night Live as soon as I was aware of it, and Monty Python used to be on PBS at weird hours, so I used to try to watch that. And I loved George Carlin on SNL, that was the first stand-up I ever really remember seeing on TV. And then Steve Martin. I guess I was in fifth or sixth grade when Steve Martin showed up, and he was instantly my idol. And Richard Pryor around the same time too, I sort of became aware of him, though I don't remember the first time I saw him.
George Carlin was great right up to the end of his life. But Richard Pryor was probably the best, most gifted stand-up comedian who will ever live.
When I was younger, I listened to the greats: Winters, Mel and Carl, Nichols and May, Pryor, Carlin, Klein, Berman and lots of Lenny Bruce albums. But once I started doing fairly well, I didn't want to hear anybody's jokes or premises.
I view my stories as sexual or personal. Curiously, I don't. When I was writing those stories I thought of them as comedy pieces in the vein of performance monologue, such as you might get with Richard Pryor, or Lenny Bruce, or George Carlin. So I don't feel vulnerable because I know the line of demarcation between "Writer Kevin" and "Narrative Kevin."
When I first started out, 'Time' magazine did an article on what it called 'the sick comics,' and they were myself, Shelley Berman, Nichols & May, Jonathan Winters, Lenny Bruce, and Mort Sahl. We were considered 'sick.'
If you were an actor, anybody could go on Broadway and take a George Carlin hour and do it on stage as a one man show. They're all stand alone essays.
When I was growing up, I had more comedy albums than musical ones. George Carlin, Cheech and Chong, Steve Martin, Richard Pryor - those were my main men.
Before I even knew what stand up was, I tried to make people laugh at school because that was how I made friends, so I think that's how I got drawn into comedy and obviously I was just some kid at school being silly, so the first time I saw a professional comedian and how smooth and funny the person was I totally got into standup and I would say obviously Richard Pryor was the guy. He's the greatest of all time and then George Carlin, Sam Kinison, Bill Cosby. It's so weird to bring up his name now but leaving out his off-stage antics... you could learn a lot from him.
On the comedy side of what I love as a filmmaker are Richard Pryor, Lenny Bruce, and Eddie Murphy; those are my favorites.
W. Kamau Bell is in the vanguard of a new era of American comedy for an unsettling, troubling, and strangely hopeful time. Firmly in the fearless tradition of Mort Sahl, Lenny Bruce, Richard Pryor, & Chris Rock. Comedy as common sense purged of the absurd hypocrisy that is Our America.
Any comic like myself owes everything he has to Lenny Bruce. He was the originator. The godfather of uncensored American stand-up is clearly Lenny Bruce.
Young stand-ups, we ought to do comedy in George Carlin's spirit, in Richard Pryor's spirit, in Jackie Gleason's spirit, in Lucille Ball's spirit, because they did it with the spirit.
It went from Bob Newhart to Flip Wilson to Bill Cosby to Richard Pryor to George Carlin to Cheech and Chong. I had all these records.
To me, those three are the revolutionaries. Richard Pryor was honest, raw. George Carlin was brilliant. He was also deep, fearless. And Sam Kinison was another one who went deeper and he revolutionized the angle of tackling humor with the whole rock star element of yelling and screaming, which was hilarious.
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