A Quote by Robert Klein
I guess I'm pleased and proud of the respect of my peers, and that when I disappear from the scene or from this earth, I will have left a mark. They'll say, 'He did it well.' I like being funny; it opens people up.
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What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
People just... disappear," he says. "The Earth just opens up and swallows people," I say, some what sadly, checking my Rolex. "Eerie." Kimball yawns, stretching. "Really eerie." "Ominous." I nod my agreement. "It's just"- he sights, exasperated- "futile.
I respect so many people, but I guess I'd have to say Madonna. Not being cliché or anything because she and I don't share a similar sound, but I truly respect how she's been in the game so long and developed so much over time and really did it her way. It's admirable. I want something like that.
The respect from my peers is what means a lot to me. The guys I go up against each and every night. You know, to have their respect, I think that's huge. And that's what I care most about, to have the respect of my peers.
I thought I did well for only being 19 years old on the international scene. I was proud of myself.
When I'm hiring leaders, I pay a lot of attention to what their peers and what people who report to them say about them. We want people who relate well with their peers and cooperate in an exchange of information rather than being overly competitive.
One second here and there will make all the difference between something being funny and not being funny. That's why I like going, 'Well, we wrote that six months ago, and it was funny one time we read it, but it's not funny anymore. So what? Just dump it.'
When you grow up without it, you want to have it. It's funny, in America some people say, 'Why do you want to make money so much?' And I say, 'Well, I guess you didn't starve as a kid.'
But some people will say you just did these programs. Well, yes, the programs are important and I'm proud of the programs, but mostly I'm proud of the way the San Francisco Symphony plays these programs.
In my own career, I have always tried to treat my colleagues with respect and kindness, whoever they are, and am proud to have developed and mentored the careers of many excellent young scientists who will be tackling tomorrow's biological problems long after I have left the scene.
I want my music to be a contribution, and I want the people who love me on Earth and in Heaven to be proud of who I am, and I want to be proud of myself, and I don't want to look back and say, 'Oh God, why did I say that?'
So many times, I will have people tell me what I did when I was younger. There's so much being written [about] the early Beatles period, and even pre-Beatles period. And people will say, "Oh, he did that because that, and that happened because of that." And I'll be reading and think, "Well, that didn't happen" and, "That's not why I did that." Like anyone's history, you remember what went down better than people who weren't there.
People who are looked up to in America will often say, 'I don't get math.' And they'll often say it like they're being humble, but they seem almost proud of it because it's acceptable to act this way.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
I've been wrestling for many years; I've accomplished a lot - but I take pride in being genuine, honest, and down-to-earth. Those are the qualities I really respect about myself, so I'm really pleased when I see that the energy that I want to exude is well received.
I was working with Michael Shannon and I was like, "Oh man I'm having trouble with this scene." And he's like, "Well, then just open it up." I was like, "But, the mark?" And I was like, what's wrong with me? And he was like, "Dude, what's wrong with you?"
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