A Quote by Robert Klein
In some articles written about me, writers have said I'm a link between the old and the new, and I think, in a certain sense, that's legitimate.
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Other people, some other writers, will win certain accolades or sell in far greater numbers than me - and I'm a legitimate best-selling author - but I live and die for the work. That's thrilling to me. It's thrilling that I do for others what certain writers did for me when I was a kid.
One of my great experiences in life was to be interviewed on a late-night talk show by a guy named Tom Snyder. He was interviewing me on a book I had written on the New Testament of the Bible called Rescuing the Bible from Fundamentalism, and we talked about the dating of the books of the New Testament, and I said, "Well, the consensus is that the gospels were written some forty to seventy years after the crucifixion." And he stopped me and said, "Wait a minute, Bishop, that means they couldn't have been written by eyewitnesses."
If you Google some sites about the link between vaccines and autism, you can very quickly find that Google is repeating back to you your view about whether that link exists and not what scientists know, which is that there isn't a link between vaccines and autism. It's a feedback loop that's invisible.
When I was an undergrad at Stanford, there was a girl named Jennie Kim who worked for the school newspaper. Sometimes people would come up to me and talk to me about articles she had written. 'That one on getting a Brazilian was hilarious', some guy said, high-fiving me.
The average person might articulate them differently, but we all think about interpersonal relationships in one way or another. Writers just express that in different ways and capture it in different ways. To some degree, we're all thinking about the same things. It's the zeitgeist. The trick, in a way, as a writer, is to hope that your interests in some sense link up with the culture around you.
My first big one-person show was basically a combination of my family, me during puberty, embarrassing newspaper articles that were written about me in high school, my first modeling photos, and terrible things that people said about me on the Internet.
I think I am doing my works to link myself, my family, with society — with the cosmos. To link me with my family to the cosmos, that is easy, because all literature has some mystic tendency. So when we write about our family, we can link ourselves to the cosmos.
I value my correspondence with writers...I was in New York and had lunch with Oliver Sachs and compared notes with him - he is someone I really like. I love staying in written correspondence with some writers. That's enough for me.
There's a tendency in graphics to allow the trimming of certain parts. But I think that if you're open about your process, your methodology, such as introducing thresholds, introducing filters, techniques people use in research and data management, it's legitimate. It's legitimate to say, "We're only going to show data above this level, or between levels."
Burning fossil fuels emits carbon dioxide. And carbon dioxide is a greenhouse gas that traps heat in the atmosphere. There is no debate about that. The link is as certain as the link between smoking and cancer.
Writing takes gall. I like to think that's true even for writers with several books under their belt, writers who have been doing it for years. It takes something - guts, gumption, self-delusion - to ask for a reader's time when we all know there's nothing new under the sun; that it's all been said, or written, before.
I love the Wikipedia link chain because it has led me into some strange articles. Wikipedia is one of my favorites.
I am ever mindful of the legacy of my grandfather, the founder of this Kingdom, who had said to me that he perceived his life as a link in a continuous chain of those who served our nation and that he expected me to be a new and strong link in the same chain.
I have non-breaking news for you: FIFA does not care what you think. Over the years, FIFA has never seemed influenced by what is written or said in papers, articles, tweets, blogs, and on television about how it operates.
I think about the collaboration between writers and readers, but I also think about the collaboration between all the writers in a generation or in a country or across time contributing to this massive project of documenting and reimagining our world.
The kind of theater that I do is sort of 'narrative realism,' which I think in the broadest sense is legitimate to say is mainstream. I mean, in a certain sense, Suzan-Lori's plays have had mainstream levels of success. But Suzan-Lori is in some ways not a narrative realist.
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