A Quote by Robert Knepper
The crew, the actors and the writers all work the same way. We always want to do the best job.
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I enjoyed the crew. The best part about 'The X-Files' has been the crew. This crew is an exceptional family and to go to work with a bunch of people that you really like is great. They're all the best of the best and they really try to do the best job they can. I'll miss that
I enjoyed the crew. The best part about 'The X-Files' has been the crew. This crew is an exceptional family and to go to work with a bunch of people that you really like is great. They're all the best of the best and they really try to do the best job they can. I'll miss that.
Oh, I'm going to miss everything. It's been the most amazing and significant job of my life obviously and I'll always have it near and dear to my heart. I'm so grateful and appreciative that I worked with the best crew and the best writers and producers and cast and I love them all.
Sometimes when you walk onto a set, there are very clear delineations. The crew don't talk to the actors and I hate all that. Everyone is the same to me and I always treat everyone in the same way.
I always want to do something I haven't done before and get to work with other actors, writers, or directors that I want to work with.
I love working with the same actors repeatedly. That happens a lot. It's kind of inevitable, especially if you work with the same writers and directors and you start to form a company of actors. You gravitate towards each other.
I love the rehearsal, as long as it's not over-rehearsed. I love it when the actors can rehearse until we feel really comfortable, and then the crew come in and shoot it. I'm not especially a big fan of rehearsing with the crew and the crew rehearsing and, "Let's rehearse this tracking dolly shot 25 times until it's just right." Television has to be shot a certain way to have a certain look. And sometimes the tried-and-true method is the best.
I kind of feel like the job of actors and writers and people who make television and movies is to keep people company. In whatever modest way I'm able to accomplish that, I want to.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
I've discovered just how symbiotic the relationship is between writers, directors and actors. They ask the same questions and strip down texts in exactly the same way.
I think one of the coolest things about the job is the level of trust we have for each other. The actors fully trust that the writers will write amazing episodes, and the writers trust that the actors will follow their instincts with the characters.
I think one of the coolest things about the job is the level of trust we have for each other. The actors fully trust that the writers will write amazing episodes, and the writers trust that the actors will follow their instincts with the characters
The way I see the job, my definition of it, is to create characters to the best of your ability and then fit into what's trying to be accomplished in the general framework of the film. I think that's whether you're doing this- even if you're doing musical theater. That's what I think an actors job is. I don't know. I like to think what an actors job is is to create characters.
I'm learning more and more to share creativity with the crew and actors. A film crew is more powerful if you listen to them, but it does make my job more tough because I have to listen.
You're always aware that only eight per cent of actors are in work at one time, so you've got to be thankful for the job you've got and do the best you can.
One of the challenges of being a director is often you don't get to work with your peers. You know, writers can write together, and as a director you get to work with so many wonderful actors and writers and designers. But it's pretty rare that you get a chance to partner in that way with another director.
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