A Quote by Robert Knepper

What I say about actors is you always want to find an actor you can play ball with. You throw the ball at them and you want them to throw it back. Your ball playing is a lot better when you play with good ballplayers, like any sport. Every actor I know feels the same way.
If you can grab a ball and throw it, you can grab a ball and throw it. I don't care how tall you are, either. I'm not gonna see over a 6-foot-7 left tackle. You've gotta find lanes; you've gotta know where your guys are. It's not about the height: if you can win ball games, you can win 'em.
Any time as a corner you feel like you're in good position and the ball's still coming, you don't understand why, but you don't care at that point. You just want to catch the ball and hold up your end of the bargain if they throw it to you.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
You've got to have one of those guys on your ball club that, when you have runners on scoring position, you know that guy is going to drive the ball and put the ball in play and pick them up.
I was a hyper kid, so I didn't want to play baseball and wait for the ball to come to me. I wanted to play a sport where I could go get the ball.
We have never, ever, in the history of football seen a guy that possesses what Aaron Rodgers possesses. Nobody, no quarterback in history, has the touch, the accuracy, the ability to throw the ball moving left or right, throw the ball from the pocket, throw the ball from different plains.
My husband cannot throw the ball and catch the ball at the same time. I can't believe they dropped the ball so many times.
With Bayern, we want a lot of ball possession and to control the play, so I operate sometimes like the 11th outfield player. Thus I am included a lot into the build-up play and have a lot of touches of the ball.
People have assumed that I have to run the ball before I can throw it most all of my career, all the way back before high school. It's a stereotype put on me for a long time because I'm African-American and I'm a dual-threat quarterback. I don't know why that stereotype is still around. It's about talent and the ability to throw the ball, not the color of your skin or your ability to also be a dangerous runner.
Any type of discomfort is going to alter the way I throw the ball. If I alter the way I throw the ball, I run the risk of major injury to my arm.
A lot is made of the pink ball. But it is the same really. A good ball is a good ball, regardless of the colour. You might want to bowl a touch fuller with the pink ball when it is nipping around but generally a pink kookaburra behaves the same as a red kookaburra.
I believe life is an 'experience ball.' You throw it at someone, it picks up their response... it grows. You play with that ball, learning what it teaches you.
You just want to put the ball in play, whether I want to throw it downfield and it's not there, so I check it down, and it's a productive play and let the running back get a first down. Just keep the chains moving.
Baseball is a universal language. Catch the ball, throw the ball, hit the ball.
Really, you don't want to think about yards after the catch when the ball is in the air. You want to think about catching the ball. And then let the rest play its way out.
In America everyone plays bang ball, eight ball, nine ball, that kind of stupid crap, but in Canada and Europe they play snooker which is a much more skillful game and I enjoy that. I play pool now with friends, if we go to a bar we will play, but I am nowhere near as good as I once was.
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