A Quote by Robert Kraft

To be honest, after the draft, I'm always excited. — © Robert Kraft
To be honest, after the draft, I'm always excited.
With TV, your first draft just doesn't matter. It's a skeleton, and then there's draft after draft after draft, and so many other factors influence it. It's just a whole different kind of storytelling.
Honestly I'm excited for whatever team wants to draft me, and I'm excited to make an impact right away.
You should always go through the first draft of a book all at once, I think, to get the best results. You can take time off after the first draft and come back to it fresh.
From watching the draft and following the NFL closely, anything can happen in the draft. But to me, it's not where I get drafted that matters to me, to be completely honest.
I have to do draft after draft... It takes me a long time, but I love doing it, and I have to do it every day, or I feel slack.
Some writers sit down without a thought of what they are going to say, and they go through draft after draft.
After I finished my first draft of 'Salvage the Bones,' I felt that I wasn't political enough. I had to be more honest about the realities of the community I was writing about.
My first day on SmackDown, I believe I had a speaking segment, and I went out, and I decided if I was going to come in as an underwhelming draft pick, because let's be honest - I was. No one was really excited to have me, because I didn't do these amazing things in NXT! I decided to come in under the radar and kick down the door.
In the draft you always have a special bond and connection, especially if you have one that goes right after you, so it's kind of always, I guess everybody thinks you're competing.
I have no preferred team, but everyone wants to go No. 1 in the draft. Even the guy who gets picked last in the draft wants to go No. 1. But I just know that whoever picks me, I'm going to be excited to play for that team, and I can't wait to see myself in 'Madden' on that team.
After finishing the first draft, I work for as long as it takes (for two or three weeks, most often) to rework that first draft on a computer. Usually that involves expansion: filling in and adding to, but trying not to lose the spontaneous, direct sound. I use that first draft as a touchstone to make sure everything else in that section has the same sound, the same tone and impression of spontaneity.
First draft: let it run. Turn all the knobs up to 11. Second draft: hell. Cut it down and cut it into shape. Third draft: comb its nose and blow its hair. I usually find that most of the book will have handed itself to me on that first draft.
I always write on unlined typing paper and write the first draft in longhand, using cheap Bic pens. I try to write about four pages a day, which usually yields a first draft in six months. I don't plot ahead of time, so I'm flying by the seat of my pants for the first draft.
Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something-anything-down on paper. A friend of mine says that the first draft is the down draft-you just get it down. The second draft is the up draft-you fix it up. You try to say what you have to say more accurately. And the third draft is the dental draft, where you check every tooth, to see if it's loose or cramped or decayed, or even, God help us, healthy.
When you're a litigator, you write so much, so many briefs, over and over again, that you're kind of really focused on one document and have draft after draft, and really pay attention to every single word.
I see myself as the No. 1 player in the draft, but it is what it is. You can just take it day-by-day, put in the work, and the draft is going to be the outcome of whatever the draft is.
This site uses cookies to ensure you get the best experience. More info...
Got it!