A Quote by Robert Krulwich

If you want to be a poet, you can just write it on a napkin, and it's the length of the napkin, I guess. But usually you decide you'll rhyme it, or you'll have a formula. In radio, that's something called, 'Close your eyes and listen.'
There are two good reasons to put your napkin in your lap. One is that food might spill in your lap, and it is better to stain the napkin than your clothing. The other is that it can serve as a perfect hiding place. Practically nobody is nosey enough to take the napkin off a lap to see what is hidden there.
Don't touch my napkin. I do not want the server to pick up the napkin and put it on my lap. I know it belongs there; maybe I don't choose to put it there.
I find that a shirt is most similar to a napkin when I don't have a napkin.
I want to show you something,” I say. What?” He dabs at his lips with the napkin, and for a moment I’m wishing so hard that I am that napkin that I can almost feel myself changing, becoming thin and papery and white. “Cal?” I sit back and feel myself blushing, feel it from the tips of my toes all the way to the heat at the backs of my ears.
[T]hey stretch you on a table. Then they bid you close your eyelids, And they mask you with a napkin, And the anæsthetic reaches Hot and subtle through your being.
Whenever I eat at a restaurant I never put the napkin in my lap. People say, 'Hannibal, why don't you put the napkin in your lap?' Because I believe in myself. I believe in my ability to not spill food in my pants 'cause I'm a goddamn adult. And I've mastered the art of getting food from my plate to my mouth without messing up my jeans. You need to believe in yourself, too and get your life together, that's for babies. Have some confidence in your eating abilities and hand/eye coordination.
We don't choose our talents; but we needn't hide them in a napkin because they are not just what we want.
My Aunt Sheila was terrifying! She would put a napkin in her mouth and say, 'You've got something on your face, dear. Let me just scratch that off your face. Let me sand your cheek.'
With a stretch belt, anything can be a dress - a dinner napkin, a tablecloth, even a towel. Just wrap and snap, and away you go in an incredible outfit. Another plus is that the belt will pull all eyes to your lovely curves, and they even look good around a coat or a jacket.
When planning your wedding you make so many decisions: 'Do I want this fork or that fork?' But in the end people aren't going to remember what napkin holder you choose.
It's like this when you fall hard for a musician. It's a crush with religious overtones. You listen to the songs and you memorize the words and the notes and this is a form of prayer. You attend the shows and this is the liturgy. You're interested in relics -- guitar picks, set lists, the sweaty napkin applied to His brow. You set up shrines in your room. It's not just about the music. It's about who you are when you listen to the music and who you wish to be and the way a particular song can bridge that gap, can make you feel the abrupt thrill of absolute faith.
The fundamental problem you have anywhere is when people think their lives and the lives of their children don't matter, they they are somehow disposable, just like a paper napkin after a lunch at a restaurant or something, if we want our freedom to be in deed as well as word in America, we have to make people feel that everybody matters again.
If you have a napkin, you need another napkin to receive back all the blessings you'll get. And you keep giving. Then you need a towel to receive all the gifts. And you continue giving. Finally, you need a tablecloth. And you continue giving - not stupidly, but you give. And when you give, you finally have to move out and get a second house, and a third house and a fourth.It is a no - fail, incontrovertible reality: If you get, give. If you learn, teach. You can't do anything with that except do it.
My family were symphonic musicians and in the opera. Also, it was my era, the love of radio. We used to listen to the radio at night, close our eyes and see movies far more beautiful than you can photograph.
At the dinner table, if you can't think of anything to say, sit quietly. Don't throw rolls, or chew on your napkin.
Dialogue is not just quotation. It is grimaces, pauses, adjustments of blouse buttons, doodles on a napkin, and crossings of legs
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