A Quote by Robert Lansing

I consider those actors who amaze me are somehow less attractive to me than those actors who move me. — © Robert Lansing
I consider those actors who amaze me are somehow less attractive to me than those actors who move me.
I learned early on to abandon all those preconceived notions you have about other actors and it's served me really well. I usually just try to empty my mind of that. I love meeting actors and I love working with actors.
I loved the Scarecrow and the Tin Man and the Lion and you could kind of see the actors' faces in them. It wasn't an entirely new face sculpted around them. What made those characters so human and appealing to me was seeing those great actors underneath there. They weren't lost behind a bunch of appliances.
To be honest with you, there's nothing that bores me more than sitting around with a bunch of actors talking shop. I love actors and I've got friends that are actors. They're interesting people. But for some reason, usually when it comes round to talking shop, there's a part of me that doesn't like it.
I like young actors because they're so unspoiled, not like some of those actors who are about half an hour into their fifteen minutes of fame by the time they get to me.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.
I'm one of those actors who says, "Point me toward the work that matters to me and I don't care where you're putting it. Television show. Movie. Projected on the back of someone's garage." If that's where the work is that's exciting to me and moving, I want to be there.
Holocausts do not amaze me. Rapes and child slavery do not amaze me. And Franklin, I know you feel otherwise, but Kevin does not amaze me. I am amazed when I drop a glove in the street and a teenager runs two blocks to return it. I am amazed when a checkout girl flashes me a wide smile with my change, though my own face had been a mask of expedience. Lost wallets posted to their owners, strangers who furnish meticulous directions, neighbors who water each other's houseplants - these things amaze me.
I blame Walt Disney; well he has to find voice actors better than me somehow doesn't he?
I don't offer advice to actors only because I've seen actors become successful through ways that would never even occur to me or that wouldn't work for me. But this has worked for me: Never memorizing a scene.
I prefer people to say to me, 'You're one of my favorite actors,' rather than 'You're one of my favorite character actors.' It sounds like a slam. At least it sounds that way to me.
I had this sort of idolatry for certain actors who preceded me, people who inspired me, so I'm honored to be that way for young actors.
I thank you for my friends, for those who understand me better than I understand myself. For those who know me at my worst, and still like me. For those who have forgiven me when I had no right to expect to be forgiven. Help me to be as true to my friends as I would wish them to be to me.
In my collection, to me at least, the theatre of the past lives again and those long-dead playwrights and actors have in me an enthralled audience of one, and I applaud them across the centuries.
I'm not one of those actors where filmmakers that I admire ask me to be in their movies. I meet them at parties and they're nice to me, but they never ask me to work with them.
The fun of directing for me, other than working with the actors, is trying to extract those ideas that you have in your head and make them real.
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