A Quote by Robert Lepage
The thing that's interesting about Trump is that when you read 'Coriolanus,' you'd be tempted to draw parallels. But I don't do that.
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I also read a lot of nonfiction. I just got "Nixonland" by Rick Perlstein. I felt like what with everything that is going on with the president [Donald trump] and the parallels with [Richard] Nixon's presidency, I needed to know more about the man.
What is fascinating to me is the way I view everything in terms of parallels and connections. When I read about Achilles and Odysseus in Homer's 'Iliad,' I can see parallels in Chinese historical romances, in the way the first emperor of the Han dynasty and his chief rival are portrayed.
I felt it [Shakespeare's Coriolanus] is sort of an examination of our dysfunction as a nationalistic, tribal entities. I think the world is rocking and cracking open in weird and worrying places. And I think Coriolanus, the play, reflected that.
That was clearly surprising, interesting - a very interesting milestone was when you can pick up a magazine and read an article about some sort of computer related thing and they mention the word internet without explaining it.
I knew how to draw all of the different smokestacks on the old trains and all that stuff, and then I realized that if I can draw trains, which is the thing I was probably the least interested in in the world at the time, I can do anything and find a way into it that will be interesting.
Politics is partially about what you fear more than what you love, so there are plenty of things about liberalism all by itself that make me tempted to support Trump.
The script [of Regression] wasn't the draw for me. It was largely Alejandro [Amenabar] and his way of talking. To hear him talking about the script was way more interesting than the script. He wrote it, and so, English is his second language. It's an interesting thing. I've had that before. I was directed by Alfonso Cuarón before, too. It's always interesting when you're being directed by somebody like that. So much of directing is about communication, and finding the right words, and what it means, and how to convey certain emotions and ideas.
You could draw certain parallels between the structure of the Pompidou and the structure of the rocket-launching facilities at Cape Canaveral. They might not have been thinking about it, but I think there is some kind of unconscious affinity there.
Whatever happened to Trump Airlines? How about Trump University? And then there's Trump Magazine and Trump Vodka and Trump Steaks, and Trump Mortgage? A business genius he [Donald Trump] is not.
What was interesting about Trump, I mean, people always say they want a non-politician. Well, you got it with Donald Trump. And there's good to that, and there's bad to that. The bad is that he can be distracted by talking about these stupid things that - I promise you, no one cares about his taxes.
I read a book called 'The Tao of Physics' by Fritjof Capra that pointed out the parallels between quantum physics and eastern mysticism. I started to feel there was more to reality than conventional science allowed for and some interesting ideas that it hadn't got round to investigating, such as altered states of consciousness.
I see a lot of parallels between my father and Donald Trump.
I would encourage women to think about leaders in different fields or companies who they can draw parallels with. For example, I am constantly studying the lives and lessons of leaders in fields outside of technology, from the arts to politics. There is always something to learn.
I've just always liked monsters, since I was a little kid. It was always the thing I found interesting. It's always what I wanted to draw; it's always what I wanted to read, and so, yeah, I don't know. It's a good question for a therapist, why I like monsters. But I tend to not question it. It's what pays the bills, so that's kind of nice.
Romantic relationships are the least interesting thing for me to write about. I'm 45, and that's not the most interesting thing in my life anymore.
If you look at Cinderhella, from a production design aspect, I tried to find an interesting, iconic character, having her face wrapped up in bandages. That was funny. On the dream logic level, you'll see the parallels of that interesting connection that I made. There's a reason why she's called Cinderhella.
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