A Quote by Robert Lepage

For me, theater will always be very, very much alive, but not necessarily in the theatrical tradition. — © Robert Lepage
For me, theater will always be very, very much alive, but not necessarily in the theatrical tradition.
A certain construct of emotions that really define who you are and who you will become and I feel very much that my childhood is very alive inside of me, very close to me, very much part of me. And it's a sometimes painful, sometimes joyous inexhaustible resource for poetry.
I was always very theatrical. I went to theater school in a conservatory program.
I pray for what I have always prayed for: the restoration of our constitution and absolute freedom for the people of Cuba. That dream is very much alive, that fight is very much alive.
It's not as though there aren't many, many art works and many other cultures, but there was something special about the civic nature of the Greek theater. All the citizens stopped working. They came into these theaters. It wasn't like a Broadway theater where you sit in the dark and you expect to be passively entertained. You're in this theater, amphitheater, in bright sunlight looking at your fellow citizens, recognizing their faces, and thinking with them about the future of your city. I think very few cultures have had a theatrical tradition that is quite so civic.
As an audience, if you see 1800s or something, it more often seems that the actors are carrying the weight of the time. It always has a Shakespearean tone to it. To me, that always feels very theatrical and very unrelatable.
We have a great literary tradition in Australia. I think the book is very much alive and the more people who are encouraged to read books the better our society will be and the wiser our society will be.
I think I come from a theatrical tradition where, if you look at the great theatrical actors of the British theatre, they took enormous pride in being wildly different from one role to the next. That's the tradition I come from.
The most important thing I learned [...] was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present and future, always have existed, always will exist.
I love science fiction. There are ways in which this community kept me and my partner alive through some very, very bad years, and I will always acknowledge that.
...when a person dies he only appears to die. He is still very much alive in the past, present, and future, always have existed, always will exist.
I've always believed in God, from the time I was very, very young. I always knew there was something with me, not necessarily knowing what to call it.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
It takes a little more time to get into the role, but not very much more. In making a record you don't have the sense of projection over a distance as in an opera house. We have this microphone and this magnifies all details of a performance, all exaggerations. In the theater, you can get away with a very large, very grand phrase. For the microphone, you have to tone it down. It's the same as making a film, your gestures will be seen in close-up, so they cannot be exaggerated as they would be in a theater.
In Mexico, theater is very underground, so if you're a theater actor it's very difficult to make a living. But it's also a very beautiful pathway to knowledge and to an open education.
In Mexico, theater is very underground, so if youre a theater actor its very difficult to make a living. But its also a very beautiful pathway to knowledge and to an open education.
The reason I always loved 'The Omen' so much, and what has always been scariest to me, is anything to do with God. Anything to do with God is quite frightening because fear is something that's very much expressed in a church environment, and I grew up in one. And the fear of God was very much instilled me at a very young age.
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