A Quote by Robert Lepage
Opera should be a place for art forms to meet. I've worked a lot with Peter Gabriel; his music isn't operatic, but he creates big, popular gatherings to which architecture, dance, and music are all invited.
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A lot of Utah State when I was there, there was a lot of California guys. So, you get a lot of Cali music, you got a lot of dance music, I think the Jerk was popular back then. It was a lot of the music that you can dance to with your teammates. A lot of hip-hop, rap, R&B, it was really fun. It was live in there.
Cinema is a kind of pan-art. It can use, incorporate, engulf virtually any other art: the novel, poetry, theater, painting, sculpture, dance, music, architecture. Unlike opera, which is a (virtually) frozen art form, the cinema is and has been a fruitfully conservative medium of ideas and styles of emotions.
I'm a huge stadium rock fan, but I'm also a fan of everything from Massive Attack to Peter Gabriel, U2, the Police, Radiohead, and Coldplay. I've realized that I love all forms of music and get excited when any artist goes crazy and creates something that is an experience.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
'Next To Normal' is rock music. It's a rock opera. That, definitely, has a place in popular music.
All the forms of popular music from jazz to hip-hop, to bebop, to soul [come from black innovation]. You talk about different dances from the catwalk, to the jitterbug, to the Charleston, to break dancing -\-\ all these are forms of black dancing...What would [life] be without a song, without a dance, and joy and laughter, and music.
All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
If I hear dance music, my body starts to move. Whatever the dance music is, I can't help it. With all that, I still felt, well, rock is a little higher art, but it wasn't. Right now, because I have so much experience with dance charts, I started to realize that it's incredible art. This is going to be known one day as high art.
I was never really interested in an operatic post, but I took on the Bastille because it seemed a unique opportunity to build an opera ensemble from scratch, and to deal with all the disciplines that go into opera - the music, the staging and the singing - in an interrelated way.
I was big into hip-hop as a kid, and when I was eighteen, I got into dance and rave music, which was popular in Ireland at the time.
The music industry isn't converging toward dance music. Dance music is dance music. It's been around since disco - and way before disco. But there's different versions of dance music.
I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.
'Lollipop Opera' is the backdrop to Finsbury Park. A place that is very thriving, interracial and lot of music stores, Greek, Turkish, all sorts of immigrant music. It's utter Englishness. It blends the Jamaicans, the Irish. It's like what Jim Reeves did with American country music.
Opera is the ultimate art form. It has singing and music and drama and dance and emotion and story.
A soccer game is a Wagner opera. The narrative sets up, the tension builds, the music ebbs and flows, the strings, the horns, more tension, and suddenly a moment of pure bliss, trumpet-tongued Gabriel sings, and gods descend from Olympus to dance - this peak of ecstasy.
I feel that the music that I do is somewhat of a lost art and it's not as popular as dance or pop music and people are not as interested in it. But it's something that I believe in and I feel that it's needed, so that's why I do it and I will keep doing it until everybody hears it and gets it.
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