A Quote by Robert Lepage
If you're going to do a show about somebody who dumped you, it's much richer if you have three characters dealing with different aspects of that theme. There is more space for people to identify with it.
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I tell my students, it's not difficult to identify with somebody like yourself, somebody next door who looks like you. What's more difficult is to identify with someone you don't see, who's very far away, who's a different color, who eats a different kind of food. When you begin to do that then literature is really performing its wonders.
One thing about our show that wasn't even in my awareness, but was brought to my attention by other people, is that our show is about these love-based relationships. Even though the characters are obviously going through different conflicts, you can really feel that the characters love each other. And they really try their best.
I'm very happy with this new record. It's dealing with different aspects of love-it's me making a statement about people doing something with their lives. It is about caring for others.
I like complex characters. I've been very, very lucky to portray, in these past three years, characters that are strong and fragile at the same time. It's those characters that I'm looking for. In the last year and half I played three different religions, and that allowed me to educate myself so much.
What people are going to be surprised about is that Tia and I are really different. We're nothing like the characters on 'Sister, Sister.' We're kind of swapped. I was the crazy, mischievous one on the show - Tia was the studious, more serious one.
I definitely identify with female leads more; I identify with real female leads, people who are flawed and have issues and make mistakes, so that the characters represent what I'm about.
I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about.
We have a whole other division, where we actually literally take the comic book and animate it. Our feeling was that, if this was going to be our show and that it was going to be a brand new show, it has to be more adventures with these characters, in the same way that, through the years, there have been long runs on the comic book series. It's the same characters, with different voices, along the way.
'Longmire' is more of a show about the characters, and you couldn't pay a bigger compliment than to want to know more about my character, or the characters on the show.
And one of the things that's interesting about how they're doing the show is that the audience almost knows more than the characters do in some of these scenes, and the extent of that is unique. So it's grown into a different show in a way. It's sort of grown into a different experience watching it.
When somebody is flying airplanes into buildings and killing innocent people in the name of God, it makes you question why do they have that interpretation and somebody else has another interpretation, and how many people of Muslim faith would agree with that, and what are the different aspects of different people's religions that is so divisive, rather than being unifying?
On a large scale, people aren't going to cut back how much they use. That's a pipe dream. If anything, as the developing world gets richer, the world's going to consume more - more cars, bigger homes, more energy, more water, more food.
We are bringing in another threat, which is nature itself. I don't really want to get into specifics too much, but I will say that there is a third uncontrollable, almost undefeatable threat that is going to come in when the characters of the show are at their most vulnerable. It's really going to be something that they have a hard time dealing with.
Show business is - you're there by somebody's fluke. And as long as somebody likes you, and the show is going well, you're fine. I'd do anything. There's so much I want to do.
But obviously, things have changed in many ways since the '50s, when the show is started, in terms of sexuality, and how much access we have to images of it and information about it. But, the same problems always apply. It doesn't matter whether we know a lot more about sex now or if there's a lot more access to it. The same problems of intimacy, of dealing with other people, of connecting and being vulnerable with other people, which is what the show is ultimately about, still applies now, I think.
I realize that the 2020s are going to be completely different than this decade has been. There's going to be rapid progress. One of the most important aspects is going to be cheaper access to space. It changes everything. We have the ideas and the technology to do a lot of things, but we're limited financially, so, by reducing the cost of access to space, the whole problem is changed. Ultimately, the pieces that are coming together are going to allow us to send humans to Mars - and bring them back.
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