A Quote by Robert Lepage

Artists always try to make something that is going to be relevant and up-to-the-minute. — © Robert Lepage
Artists always try to make something that is going to be relevant and up-to-the-minute.
Every day, I make sure I do something active, whether I only have time to do a 20-minute walk or pull up a 15-minute barre video to going in the gym for two hours. But I am one of those people, I truly believe to always change up your workouts, because I can get bored very easy, which will then turn me off from working out.
I always try to make everyone mellow down, make sure everybody's happy. The people I have employed have always kind of stayed with us. A lot of people who come to work for you are artists in their own right. And they want to work for you because they want to pick something up.
I've watched so many women, from Kathleen Hanna all the way up to Taylor Swift, whether they're pop artists or rock stars or fine artists or writers, it is the subhistory of female artists that if you're going to make art, you're also going to have a full-time job of defending your right to make art.
Not harder than it should be, no. We're about the business, we're about the work. It's all about the work, always. We have fun and laugh and there're days that are more intense than others, but we're there to make it better. He's always going to try and make it better, I'm always going to try and make it better. So you accept anything, you accept whatever it takes to get it up on the screen and make it worthy.
I learned a long time ago to be honest when I'm talking to other artists. Up-and-coming artists used to come and say something, they would have a demo reel, and I would try to tell them the truth. I don't go up and say something unless I really feel it.
Growing up with my dad, whenever I wanted to try something, he would let me try it but he wouldn't let me give up on it. If soccer was too tough and I said, 'I'm going to quit,' he'd be like, 'No, you're going to try everything and keep going at it'.
Growing up with my dad, whenever I wanted to try something, he would let me try it but he wouldn't let me give up on it. If soccer was too tough and I said, 'I'm going to quit,' he'd be like, 'No, you're going to try everything and keep going at it.'
Basketball's so much like life: if something's going great, you wait a minute, it will change. If something's going bad, you wait a minute, it will change. So I try to play things on such an even keel, knowing that things are going to change. You take the good with the bad; you don't get too excited, you don't get too down and sometimes that's the hardest thing in the world to do when you're in the midst of it, but that's the best way to handle it.
Poetry isn't as relevant in the Western world as it is in Afghanistan. And not many people make time for something that doesn't feel relevant.
People ask me often, 'Why did you leave Green Bay? You had the best quarterback, you were going good and all that.' But I've always been one for challenges. Try to build something up, try something new, challenge myself.
The minute you try to do something that is not true to you, is not something that you really know about, and is not a lifestyle or world that you live in or can relate to, it's going to come off as false.
Throughout my life, I've seen that everybody has had something to teach me and, strangely, it's always something relevant to what I'm going through at that point.
I'm a people pleaser by nature, and I want to make everybody happy. But at the same time, it's not fulfilling to make everybody happy. What's fulfilling is to stand for something that's right. Now that doesn't mean you're going to be perfect. We're going to fall and we're going to mess up every day, but we can at least try to stand for something. When you stand for something, then you won't fall for everything else around you.
I always want to encourage young artists. As the budgets get smaller, that might provide an opening for younger artists and more experimentation. Budgets had gotten quite large for art, as they had for architecture. I'm not going to cut back. The minute someone walks through my door, I go, "That's my thing and you got to let me do it."
Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.
It's rare that I'll write lyrics first. If I come up with some good lyrics, I'll write them down and try to use them later. If I come up with a song title, sometimes I'll write a song based on that. Sometimes, I'll make a whole band out of it. I don't really have a process, per se. I just keep going and going and going. Every free minute I have I'm working.
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