A Quote by Robert Lepage
Theatre's still expensive compared to downloading on Netflix; that has to be addressed. It doesn't mean it has to be over-subsidised by the state, but it's something we're trying to figure out.
Related Quotes
Theatre is expensive to go to. I certainly felt when I was growing up that theatre wasn't for us. Theatre still has that stigma to it. A lot of people feel intimidated and underrepresented in theatre.
They say Einstein died while he was still trying to figure out gravity. I think I'm going to die still trying to figure out some of the things about Blink.
If we stay together, I'll have to forgive you over and over again, and if you're still in this, you'll have to forgive me over and over again too. So forgiveness isn't the point. What I really should have been trying to figure out is whether we were still good for each other or not
It's a lot easier to figure out how to scale something that doesn't feel like it would scale than it is to figure out what is actually gonna work. You're much better off going after something that will work that doesn't scale, then trying to figure how to scale it up, than you are trying to figure it all out.
The commercial and subsidised theatre are intrinsically linked. I wouldn't have had the career I have had without the opportunities I had through the subsidised sector. However, I do think, in any walk of life, subsidy for the sake of subsidy is not always healthy.
Death is something that I am still trying to figure out a healthy relationship with.
My dad and I actually don't speak anymore. It's still something that I'm trying to figure out and I definitely don't have all of the answers to.
When I left the theatre and turned to writing, one of the big pulls was that, unlike the theatre, I didn't have to wait to be hired before I could do my art. That was huge. But you still have to figure out how to support your habit; it's rare and lucky when art pays the bills.
A week after his State of the Union address, political observers are still trying to figure out what President Obama's game is. That's because rhetorically and substantively, he seems to be in another world.
California seemed to me to be all about secrets and the need for safety. And this leads to this thematic messiness I'm still trying to figure out what to do with. I mean, when it comes to the themes, this is nothing like an Atwood novel.
I'm not sure I approve of theatre as a university course. I think theatre's something you do. I mean, literature is a subject; theatre is practical.
There's people out there, Canadians out there, that have high expectations for me, but I mean, I'm still a kid, still trying to learn the game. I'm just trying to develop my skills as much as possible.
I am wary of repeating myself too much. In this age of Netflix, as a Netflix show, if you want to go back and watch a season 1 episode, you can do that easily. I'm not interested in repeating the same story beats over and over and over again. But part of the truth of BoJack story is about how much he repeats himself and these patterns that are difficult to get out of. I'm trying not to be evasive about that. I'm not using that as an excuse. I think that's convenient to fall back on as a TV writer: "Oh, it's a show about stagnation."
I'm not trying to erase my culture or my faith, I'm trying to be the best version of myself, and it's really hard. I don't think I'm right, I don't claim to be correct, I'm just trying to figure it out and figure out a balance.
I think theatre must be an event, an experience, not compete with cinema. When people are able to download stories on Netflix, you need to give them a good reason to jump into the car and drive two hours. It has to be something you can only see in the theatre, and it has to be worth it.
I actually prefer Twitter as a medium, and I also got into Periscope for a second, but I'm still trying to figure out what to do with it. I can't figure out if the only important thing about it is the live broadcast, or if it's an interesting kind of way to log what you do.
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