A Quote by Robert Loggia

The Italian mafia, they're very [into] construction. They're in a whole different way of operating than they did back in the '20s. — © Robert Loggia
The Italian mafia, they're very [into] construction. They're in a whole different way of operating than they did back in the '20s.
I paid my way through school doing set construction for film and television. I'm a member of Local 44. I was a construction coordinator on 'Beverly Hills 90210' for 4 1/2 years and ran their whole construction program. I did two other pilots as a coordinator for Aaron Spelling.
I'm a huge fan of mafia history - mostly the Italian mafia but also their associates, as well as Whitey Bulger and the Winter Hill Gang.
I'm very pragmatic in that I know there are very few greats in anything. I got lucky just to have gotten two of the real great filmmakers very early on. Better to have had them than to not have had them. I've been really fortunate. That's the key relationship on a movie: the director and the actor. Of course, you can't compare the experiences. When you're in your early 20s, you're a very different person. It was a very exciting time, and my whole world was changing. Now I'm looking back, and hoping I can still offer something. Still do good work.
I've been in a lot of different factions my whole career, and all the guys who made up those factions are different performers. For example, if you look at the Undisputed Era as a whole, I'm very different than Roderick Strong, who's very different from Kyle O'Reilly, who's very different from Bobby Fish.
It's good to be back in New York. I have lived here ten years. I'm originally from Indiana. I know what most of you are thinking: Indiana: Mafia. But the fact of the matter is where I grew up there was something very similar to the Mafia: 4-H.
Italian is a very different poetic situation and there are these hard and fast rhythmic periods, settenari, ottonari of seven and eight syllables. These are fundamental to the way people speak and write and breaking them is more radical in Italian than when we break a line. I'm sure there are Italian poets who want to write poetry as prose and break these Petrarchan rules. And breaking them is fun and a valid thing to do. But I'm more interested in trying to write poetry that absorbs tradition and uses it in new ways, and doesn't throw it out.
We were raised in an Italian-American household, although we didn't speak Italian in the house. We were very proud of being Italian, and had Italian music, ate Italian food.
My father's best friend, Georgie Terra, was an Italian guy. The children and the cousins and nieces and nephews were children of the Mafia. Those were the children he grew up with. If you want to go to a safe neighborhood, go to where the Mafia is.
I'm a practicing Catholic. And faith is very, very important to me. It was pounded in my head as a kid, and I hated it. And I sort of lost my way in my 20s and part of my 30s and then found my way back. And I don't know what I'd do without it. It's huge in my life.
Italian-Americans are not the Mafia.
I mean, being a solo artist is very different than being a member of a band. It's absolutely different. The whole situation is very different - situations where you can't really compare, it's so very different. But I found happiness.
Now everybody is mafia. You got the Russian mafia, the Mexican mafia. Everybody is mafia these days.
I grew up in a city, an Italian, knowing what the Mafia was.
Just a whole different style, just a whole different way of going about an audience and a way about skating. And they are so brilliant in their own way, which is great, and that's what Brian was saying; is the styles are different, and it's the whole mentality.
I love a challenge. So when I did 'Friday,' I didn't want to do another comedy back-to-back. With 'Set It Off,' that was a little different from 'The Negotiator' and 'The Italian Job.' So for me, it's all about challenge. It's all about challenge and about just learning.
When you're in your 20s, you're a little more carefree; you're single. You have a very different way of looking at the world and experiencing the world. But later in your 30s, when you have children, a career, career obstacles, mortgages, car payments and relationships, you have to negotiate; that's a very different life.
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