A Quote by Robert Loggia

I can't be under the weight of the character for a 14-hour shooting day. I don't think anybody can do that. — © Robert Loggia
I can't be under the weight of the character for a 14-hour shooting day. I don't think anybody can do that.
You can't have a relationship when you're shooting a 14-hour day and your husband is shooting a 14-hour day in the same city. It's a time thing and it's a together thing.
Doing a sitcom is like doing a play - you rehearse for three or four days, and then you shoot what you rehearsed on Friday night in front of an audience. An hour-long drama is like shooting a movie. You're shooting 13-14 hour days. The endurance itself is different.
I think that the biggest challenge for me making films is how much of your life you give to something. Shooting the film requires 14-hour days, six days a week.
Everything I do is intended to make people laugh and think. I just think something is funny, it's not hurting anybody, not stabbing anybody, not shooting anybody, not making anybody watch me perform. There are thousands of comedians, don't come see me because it's not like I hide it.
The next day, we shot 'I Want You Back,' and that was a 14-hour day. That's typical. By the end of the day, my knees and ankles are killing me.
I think between 2014 and 2015, I made weight five times in 11 months. During that time, I felt my body change. It was able to hold on to more weight. And anybody who makes weight knows that it gets harder and harder to make weight once you've done it that many times.
I can have a real long day; I can have a 14-hour day of intense work and then get home, and it's just me and TCM on into the night.
I always tell people you don't have to work out an hour every day, but I do make sure I sweat - I think that's the biggest key to weight loss.
We should be shooting 3s whether we're 1-for-14 or 10-for-14.
A lot of independent films try to pull off a 14-day shooting schedule, which I think is ridiculous. No matter how big or small you are, it really kills whatever sort of time you get to allow the actors to find their characters, and to spend time to think about what they're doing.
I was working, like, 14-hour days on 'Fargo,' and now if I schedule more than two things in a day, I'm like, 'Whoa, you guys. That's two train rides, and I have to plan for an hour-and-a-half lunch with my cat.'
There was a scene in 'Qubool Hai' where Asad shoots his father. After shooting for it, I was drained completely. At times, my character's mood gets very depressing. Post shoot, it takes a good half hour to get out of character, to leave Asad behind.
When I was in Toronto shooting 'Hemlock Grove,' I'd spend a couple of hours in the makeup trailer every day because my character had all these tattoos. I was telling one of the artists how bored I was - I didn't really know anybody - and he said, 'Pick up a ukulele and start playing. They're 30 bucks for a cheap one.' And I did!
I guess when you're carrying a film, you feel the weight of that because you're there every day, and you feel the weight of your character that way.
My average day on 'Leverage' starts at 5 A. M. and ends 12 to 14 hours later. An hour drive to the set and back sometimes makes the day unbearably long. You have to grab a few minutes to yourself where you can.
We shoot 12 to 14 hours a day. To do all that physical stuff yourself, you have to be on a nutritional plan. I have six or seven meals a day. I eat every hour and a half, and make sure it's all clean. I have absolutely no sugar at all.
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