A Quote by Robert Loggia

Working with David Lynch was like taking a bullet. A gun at you. 'Lost Highway' is, I think, one of the best films I've ever been in. It'll endure a long, long time. — © Robert Loggia
Working with David Lynch was like taking a bullet. A gun at you. 'Lost Highway' is, I think, one of the best films I've ever been in. It'll endure a long, long time.
I've been lucky to have opportunities with David Lynch in 'Lost Highway' and Jennifer Lynch in this movie 'Surveillance,' so I've always boomeranged around a little bit, and no one has caught my foot in the trap yet, but I think if I move fast enough... 'cos I think I got trapped a couple of times.
I admire David Lynch so much, and I think he made some bad decisions with Lost Highway.
Thus it is in hell; they would die, but they cannot. The wicked shall be always dying but never dead; the smoke of the furnacedascends for ever and ever. Oh! who can endure thus to be ever upon the rack? This word "ever" breaks the heart. Wicked men do now think the Sabbaths long, and think a prayer long; but oh! how long will it be to lie in hell for ever and ever?
We're lucky to be making films. My crew and I have been working together for a long time. I think that that's what emanates.
The first time I lay actual eyes on the real David Lynch on the set of his movie, he's peeing on a tree...Mr. David Lynch, a prodigious coffee drinker, apparently pees hard and often.
Acting has always been something I've wanted to get into. I think the best models are actors; you're taking on a character. In that sense, I have been acting for a long time. It didn't seem like a crazy transition.
I spent a long time on my first movie, which was the sequel to a short film that I did called 'Carne.' And I had no money. I shot it over a period of three years, a bit like David Lynch directed 'Eraserhead.'
The road and the tale have both been long, would you not say so? The trip has been long and the cost has been high... but no great thing was ever attained easily. A long tale, like a tall Tower, must be built a stone at a time.
You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff.
I would have loved to have been in the room with the ABC executives when they watched David Lynch's 'Mulholland Drive' TV pilot. You know that had to be a long silence after that thing stopped.
I've been working a long time, and mostly European films.
It was the combination of many factors... With most people, suicide is like Russian roulette. Only one chamber has a bullet. With the Lisbon girls, the gun was loaded. A bullet for family abuse. A bullet for genetic predisposition. A bullet for historical malaise. A bullet for inevitable momentum. The other two bullets are impossible to name, but that doesn't mean the chambers were empty.
I might have lived long enough to learn all this in the long haul, but I would have been just another soul taking up time and space for a long spell before I learned.
David Lynch is very important to me, and he does dreamlike movies, but my dreams are not like David Lynch's dreams. I have no interest in copying anybody's work. It would never occur to me to want this to look like someone else's thing.
As human beings we have a tendency when we like something to tie it up and make sure it's there for a long time. I've been working on being able to let things go. I don't think I ever want to buy property again.
In the end, coming to faith remains for all a sense of homecoming, of picking up the threads of a lost life, of responding to a bell that had long been ringing, of taking a place at a table that had long been vacant.
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