A Quote by Robert Longo
I've been dealing with epic images, and I realized all of a sudden that I grew up in the age of epics.
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It occurred to me the thing that broke my heart the most was when I grew up and realized everything wasn't an adventure. I got to a certain age and realized I couldn't be Indiana Jones.
[My mother] was the oldest of two sisters and two brothers, and she grew up with her brothers, who were about her age. She grew up, to the age of ten, like a wild colt, and then all of a sudden that was over. They had forced on her her 'woman's destiny' by saying, 'This isn't done, this isn't good, this isn't worthy of a lady.'
The first epics were intended for recitation; the literary epic is meant to be read.
I grew up torturing friends and family by making super-8 and VHS epics.
Stone Age. Bronze Age. Iron Age. We define entire epics of humanity by the technology they use.
When I do only images, people don't connect with the images because the images are too weird to understand. But when I explain the weird images with straight words, then all of a sudden there is a tension between the two that the audience wants to see.
My wife, Lisa, and I both grew up on wuxia - Chinese historical romances. They're kind of analogous to Western epics. They're based on history, just like 'the Iliad' and 'the Odyssey' are based on history, but they're romanticized, and a lot of fantasy elements have been added.
Historically, epics are set in Africa or Asia or the Wild West, but if you make an epic today it's hard to disassociate from the contemporary realities of those places.
The epic disappeared along with the age of personal heroism; there can be no epic with artillery.
The images evoked by words being independent of their sense, they vary from age to age and from people to people, the formulas remaining identical. Certain transitory images are attached to certain words: the word is merely as it were the button of an electric bell that calls them up.
Images are no longer what they used to be. They can't be trusted any more. We all know that. You know that. When we grew up, images were telling stories and showing them. Now they're all into selling. They've changed under our very eyes. They don't even know how to do it anymore. They've plain forgotten. Images are selling out the world. And at a big discount.
I grew up on, and kind of came of age, during the grunge movement and was introduced to Neil Young and Bob Dylan and grew up on that path.
By the time I got writing 'Halcyon,' I was on a roll, and I realized I had so much to write about, I realized I had so much built up inside that I couldn't really alleviate before, and then all of a sudden it was like reservoir burst.
I grew up in Queens, which is the most diverse borough: the rich and the poor and homeless and people of every sexual orientation and gender and age group. Everyone is saying we live in this bubble, and there's some truth to that. But I do not think it is healthy to all of a sudden invalidate the way we live in New York.
I grew up reading 'Lord of the Rings' and comic books, so that kind of epic quality I like.
I grew up falling in love with music videos and those images: Hype Williams and Mark Romanek, David Fincher and Diane Martel and Paul Hunter, just from the video side. I grew up also watching a lot of independent films and foreign films.
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